Eunoia (“beautiful
thinking”) is the shortest word in English to contain all five vowels. (It’s
also a wonderful collection of poems by poet Christian Bök)
I’ve been
a fan of writing games/word games for quite a while. I find them quite useful
for not only filling a page when I don’t know what to write yet feel like I
should be writing, but also useful for generating new ideas and for playing
around with voice and form. ‘Play’ is the key word here and we all know that
play and creativity go hand in hand.
Some years ago, writer/teacher extraordinaire, Tim Wynne-Jones,
gave me a list of “Games to Play While You Wait For an Idea” which I’ve
turned to from time to time both as a writer and a teacher. Basically, they’re writing
constraints—rules to follow that limit choices and in doing so, create a unique
form.
I just learned (from another writer/teacher extraordinaire, Barbara
Henning) that there is a whole movement with a name that goes along with these
constraints.
Oulipo.
It’s French,
pronounced ‘ulipo’ and is short for Ouvroir de littérature
potentielle; or "workshop of potential literature"
and is defined by the group as "the seeking of new structures and patterns
which may be used by writers in any way they enjoy." Founded in 1960 (seems
like yesterday!) by Raymond Queneau
and François Le
Lionnais, it’s a loose gathering of mostly French-speaking writers
and mathematicians who use writing constraints to trigger ideas and inspiration
and to create new work.
While
there are many, one interesting and notable example of Oulipian writing is
Raymond Queneau’s Exercices de
Style, the retelling 99 times (!!!) of the same episode where a
man witnesses a disagreement on a bus trip, with each account unique in tone
and style.
Here are
some other examples of Oulipian constraints:
S+7, (sometimes called N+7): Replace
every noun in a text with the seventh noun after it in a dictionary.
Snowball: a poem in which each line is a single word,
and each successive word is one letter longer.
Lipogram: Writing that excludes one or more letters.
The previous sentence is a lipogram in B, F, H, J, K, Q, V, Y, and Z (it does
not contain any of those letters).
Palindromes: Sonnets and other poems constructed using
palindromic techniques. (In case you’re wondering, a palindrome is a word, line, verse, number,
sentence, etc., reading the same backward as forward, as Madam, I'm Adam or
Poor Dan is in a droop.
Univocalism: a poem using only one vowel, although the
vowel may be used in any of its aural forms. For example, "born" and
"cot" could both be used in a univocalism, but "sue" and
"beau" could not.
Using
Oulipian ideas, writers and poets without a current idea can explore these and
other constraints like perverbs, antonymic translations, homophonic
translations, spoonerisms, centos, heterograms, pangrams, and a myriad of other
forms instead of staring at a blank page.
There’s
also something that happens when you focus your conscious mind on form: your
unconscious mind—the place where all the best inspiration and creativity comes
from—is free to do its thing. While you struggle to make sentences out of words
that only contain the vowel “a”, your muse tiptoes in and goes to work. If you
don’t believe me, give it a try!
Approaching the writing
process in a different way, searching for fresh forms can only enrich the
landscape of our writing. And even lead us into the land of Eunoia. Once you’re
there, you might never want to come back.
Take Good Care,
Sharry
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