For
years, I have been intrigued with a house across the street, the house at the
top of the Macondray Lane steps. It’s a very simple, two story, salt box style
house with baroque plaster garlands that swag over the windows. It's the pretty wooded
lane’s sole survivor of the 1906 earthquake and fire. The architect and first
owner is unknown, but one story goes that it was prebuilt and shipped around
the Horn from the east coast in the 1870’s.
This
story of the house’s journey around the Horn completely caught my imagination and
wouldn’t let go. I walked past it everyday, I watched it from my kitchen
window, I dreamt about it. I couldn’t help but think such a house would have an
interesting story to tell. I wanted to know more about this house. I learned
that Ina Coolbrith, mentor to Jack London and Isadora Duncan, and the first
crowned poet laureate of California in 1915, had lived in the house and
entertained Mark Twain, Bret Harte and Joaquin Miller in her parlor. I met the
then current owners, photographer Barbara Hall and her husband, the now late
writer Oakley Hall who taught both Michael
Chabon and Amy Tan and founded the Squaw Valley Writer’s Workshop. I often
exchanged neighborly greetings with Oakley Hall but was too shy to ask about
his writing or to tell him I was an aspiring novelist. After Mr. Hall died, I
felt a huge regret at never asking him about his own work, about his life as a
writer.
Still,
the house continued to intrigue me. I made several attempts at penning a young
adult novel with the house as a point-of-view character, but could never quite
make it work. I just couldn’t figure out what the house wanted. Or what it
felt. Whatever I tried, it remained flat, emotionless and passive.
So,
I took the story I’d written and tried to figure out how to revise it without
the house’s point of view. I demoted the house to a mere setting and added a
curse and a ghost and it seemed to work better. But then I wrote myself into a
corner and when I backed out, I knew something was missing. I sent it to my
clan of trusted readers who all urged me to go back to what had originally
inspired me. I tried. And failed. And then I finally sent it to Franny
Billingsley for a manuscript critique.
Franny
came back with an amazing packet of incredibly valuable feedback and advice. Although
I hadn’t told her anything about my connection with the house or its history, she
suggested I take a look at a writing craft book that had helped her a lot with
her writing. The Art & Craft of Novel Writing by Oakley Hall.
Yes,
THAT Oakley Hall. The owner of the house that had originally caught my
imagination and been the inspiration for the many incarnations of the failed
story. I didn’t know he’d written a craft book. I bought a used copy and have been
slowly making my way through. At times it’s almost as if Mr. Hall heard my
regrets and is reaching out for the other side with his lessons on writing.
I’m
starting that novel over again. I’ll try this time to give the house an active
role. And maybe a point of view. I’m starting with the advice Oakley Hall
passes on from Henry Miller’s work schedule for 1932—33 in his chapter
Beginning:
Commandments
1)
Work
on one thing at a time until finished
2)
Start
no more new books, add no more new material [to “Black Spring.”]
3)
Don’t
be nervous. Work calmly, joyously, recklessly on whatever is at hand.
4)
Work
according to Program and not according to mood. Stop at appointed time!
5)
When
you can’t create you can work.
6)
Cement
a little everyday, rather than add new fertilizers.
7)
Keep
human! See people, go places, drink if you feel like it.
8)
Don’t
be a draught horse! Work with pleasure only.
9)
Discard
the Program when you feel like it but go back to it the next day. Concentrate. Narrow down. Exclude.
10)
Forget
the books you want to write. Think only of the book you are writing.
11)
Write
first and always. Painting, music, friends cinema, all these come afterwards.
Don't be nervous. Work calmly, joyously, recklessly. Okay. Yes. I needed to hear that.
Take
Good Care,
Sharry
Serendipity. I love it!
ReplyDeleteI know, right? I have to believe that someone's trying to tell me something. Thanks for stopping by Cathy.
DeleteWhat a wonderful synchronicity story, Sharry! I'd like to see that house. And that book.
ReplyDeleteThanks Ann! I'll show you the house on our next walk and pass on the book as soon as I'm finished.
DeleteI lOVE this Sharry. I have wanted that house in STING to be a character ever since you created it... it seems like it is BEGGING you to give it another try... Beautiful post, beautiful you.
ReplyDeleteYes, I think that house really wants to have a role in the story. I am going to give it another good try. We'll see if I can pull it off!
DeleteAMAZING and PERFECT. Love this so much.
ReplyDeleteTam is right!
We all need to work calmly, joyously, recklessly.
Yes! I've printed it out and have it taped to the top of my computer; remember to work calmly, joyously and recklessly.
DeleteWhat a great story, Sharry! I love that that house is real.
ReplyDeleteGreat rules to follow too. Finish that story!
Cindy
Love the story and all the connections, Sharry. I hadn't realized the house in your novel was real, either. And I love Hall's writing advice!
ReplyDeleteLovely post.
ReplyDelete