tag:blogger.com,1999:blog-77258927750567374682024-03-05T23:06:58.551-05:00Kissing the EarthOne of us lives on the east coast. One of us lives on the west.
One us lives in a rural community. One of us lives in a city.
Both of us wander. Both of us witness. Both of us write.
This is a record of what we find.Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.comBlogger227125tag:blogger.com,1999:blog-7725892775056737468.post-52663580157331338612016-05-09T00:01:00.000-04:002016-05-09T15:25:12.765-04:00The Landscape of Words (Revisited)<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--> <!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>JA</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> <w:DontFlipMirrorIndents/> <w:OverrideTableStyleHps/> <w:UseFELayout/> </w:Compatibility> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_ApBDvPlAiYT5GRhyVB7r_MzmGYzJ9MtmZOcIvH8di0TZuf2Wqx50ItiYZ1fgpgw20mSAoWGhayQGzSxkzIHmFuTJYonllAgFIpU_mPD3JpmOKtdWFSeg3w8JHCUQF-Rm_riGTbWbkZcH/s1600/thesecretgarden_su_blackwell.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="148" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_ApBDvPlAiYT5GRhyVB7r_MzmGYzJ9MtmZOcIvH8di0TZuf2Wqx50ItiYZ1fgpgw20mSAoWGhayQGzSxkzIHmFuTJYonllAgFIpU_mPD3JpmOKtdWFSeg3w8JHCUQF-Rm_riGTbWbkZcH/s200/thesecretgarden_su_blackwell.jpg" width="200" /></a>Every morning, around 10:30, I leave the house and walk, downhill and uphill, reminding myself to pay attention, to try and see the world, to be aware of the signals it’s sending to my senses. As a word person, I will often find myself silently (so as not to alarm strangers or appear insane) naming things as I go along: paperbark tree, mockingbird, curious baby in a blue stroller, roasting coffee, wet grass, dented truck, lavender bush, crushed paper cup, chewing gum, cable car bell, cumulus cloud. This act of naming is a form of selecting and creating a kind of interior landscape of the moment.<o:p></o:p></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqSO6TVGy6ot6J-MJfBYqmKuL2daZcKCxEAdPFBSoNGfVKKq2fzS7bBJ6ENOu3HqA-h8QIIDDrf6M1i5VZMIvYck_7wfxctd81Hs1E6ppqwP-WywSbeT0zao5ir6MEZhpwtqnW0d6nGvv3/s1600/su2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="142" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqSO6TVGy6ot6J-MJfBYqmKuL2daZcKCxEAdPFBSoNGfVKKq2fzS7bBJ6ENOu3HqA-h8QIIDDrf6M1i5VZMIvYck_7wfxctd81Hs1E6ppqwP-WywSbeT0zao5ir6MEZhpwtqnW0d6nGvv3/s200/su2.jpg" width="200" /></a>Words, whether spoken or written, do create a landscape by evoking images and sensory experiences. My super-smart writer friend, Lynn Hazen, sent out a link last week to an article that had been in the New York Times titled Your Brain On Fiction. The author, Annie Murphy Paul, talks about extensive research showing that words like lavender, cinnamon and soap actually stimulate the olfactory cortex of our brain in the same way that smelling lavender, cinnamon and soap do. Similarly, metaphors that evoke texture stimulate the sensory cortex, and active sentences stimulate the motor cortex.<span style="mso-spacerun: yes;"> </span>It seems that words have the same effect on the brain as the actual experience.<o:p></o:p></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLwVEFhQ6vag3TrdPp6Crv0eHwiZSYp4wBAlPzPTh-1p_3oFPEQeezIv8cNMFXTsG-LzA7FZ8Z__75eBqE6ass4LV-0Foxaif6nuDzPROiKl4sc3gVJt8nM9rXgcqeWOPV7pO1qu5Vlihu/s1600/Image+2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLwVEFhQ6vag3TrdPp6Crv0eHwiZSYp4wBAlPzPTh-1p_3oFPEQeezIv8cNMFXTsG-LzA7FZ8Z__75eBqE6ass4LV-0Foxaif6nuDzPROiKl4sc3gVJt8nM9rXgcqeWOPV7pO1qu5Vlihu/s200/Image+2.jpg" width="141" /></a>This is good news for readers and for writers. For those of us who love nothing more than to curl up with a good book, we can be assured that we’re giving our brains a complete experience. And for those of us who dedicate much of our time to writing, we can set the bar higher and challenge ourselves to create the most sensory, active and empathetic experience we can for our hopeful readers.</div>
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Artist Su Blackwell creates another kind of landscape with words. They need no explanation—the images say it all. You can see more on her website:<o:p></o:p></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6A64GoTR3VNgJ5Qg23SLrLk79uFzePO9XzoSJX242pGJbVZMr1SguW4SSE554RfMRiRcEDHQ2fHCZ1ywUZdQcZe46KoHFVoNQ7mqxW2V6j8TnTTKeT2P_kejf8zTa3ggYUo48uwml-Flm/s1600/woman-sweeping_1452502i.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="206" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6A64GoTR3VNgJ5Qg23SLrLk79uFzePO9XzoSJX242pGJbVZMr1SguW4SSE554RfMRiRcEDHQ2fHCZ1ywUZdQcZe46KoHFVoNQ7mqxW2V6j8TnTTKeT2P_kejf8zTa3ggYUo48uwml-Flm/s320/woman-sweeping_1452502i.jpg" width="320" /></a><a href="http://www.sublackwell.co.uk/portfolio-book-cut-sculpture/">Su Blackwell</a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqSO6TVGy6ot6J-MJfBYqmKuL2daZcKCxEAdPFBSoNGfVKKq2fzS7bBJ6ENOu3HqA-h8QIIDDrf6M1i5VZMIvYck_7wfxctd81Hs1E6ppqwP-WywSbeT0zao5ir6MEZhpwtqnW0d6nGvv3/s1600/su2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br />
</a>Take Good Care,<o:p></o:p></div>
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Sharry</div>
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<span style="font-family: Times, Times New Roman, serif;">All Hallows Eve is tonight; the spooks and demons, witches and
goblins will have their night. Tomorrow is All Saints Day. And then it's Day Of The Dead.
They say that this time of year, the veil is thin and it’s easier to pass back
and forth between the worlds. It’s a good time to make amends, to ask forgiveness, to make peace
with the past, to remember loved ones who have gone before us and to give
thanks to all the souls whose shoulders we stand on.</span></div>
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<span style="font-family: Times, Times New Roman, serif;"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;">Some people like to create a small altar to honor and remember
their loved ones who have crossed over; some photographs, a little food, a
piece of jewelry, maybe some flowers. Every year SOMARTS presents a Day Of The
Dead exhibit, which includes many sensual and provocative altars by members of
the arts community. This four minute video will give you a taste:</span></div>
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<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/bsfsZAmHyCg?feature=player_embedded' frameborder='0'></iframe></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;">For more stunning images, go to:<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;"><a href="http://www.somarts.org/exhibitions/day-of-the-dead/">http://www.somarts.org/exhibitions/day-of-the-dead/</a> and click on PHOTOS to see this year’s offering.</span></div>
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<span style="font-family: Times, Times New Roman, serif;"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;">I had started out thinking I would bring this post around to
antagonists—to how death is the ultimate antagonist, always just over our
shoulder, waiting to put an end to all of our happy plans. It’s not an
antagonist you can defeat, but like all great antagonists, it can force us to
be our own best self. Death’s constant presence can remind us to live our lives
fully and richly. That’s all I’m going to say for now—for more on antagonists, be sure to read Sarah Wones Tomp's post Empathy
For The Enemy (with invaluable links!) at Writing On The Sidewalk at:<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;"><a href="http://writingonthesidewalk.wordpress.com/2012/10/23/empathy-for-the-enemy/">http://writingonthesidewalk.wordpress.com/2012/10/23/empathy-for-the-enemy/</a>
<o:p></o:p></span></div>
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<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;">Take Good Care,<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;">Sharry<o:p></o:p></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfh61pNUIlxNL7gs0E_8KUpSa9-Ue0FRO3ZeEx8SctbFimRN5ljcQiZCpPqSBW-E4knALQyMkZBe1TWd0rWEhONziTKzX2tj3tYt5hRsfw9yoqLepfwQpky9UA_UJGWLA9V35VQOm6U4c2/s1600/Image+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfh61pNUIlxNL7gs0E_8KUpSa9-Ue0FRO3ZeEx8SctbFimRN5ljcQiZCpPqSBW-E4knALQyMkZBe1TWd0rWEhONziTKzX2tj3tYt5hRsfw9yoqLepfwQpky9UA_UJGWLA9V35VQOm6U4c2/s200/Image+1.jpg" width="200" /></a></div>
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<!--EndFragment-->Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com3tag:blogger.com,1999:blog-7725892775056737468.post-33956085919066286382015-09-17T11:15:00.000-04:002015-09-17T14:13:15.359-04:00A San Francisco Landscape: Infinite City Revisited from 10/2/14<div class="MsoNormal">
<span style="font-family: Garamond; font-size: large;">In the September 24, 2014 interview with Catherine Linka, she talked about how landscape is more
than the physical and geographical aspects of an area—that it’s as much about
the cultural and psychological make-up of a community. I couldn’t agree more.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-size: large;"><br /></span></div>
<div class="MsoNormal">
<span style="font-size: large;"><span style="font-family: Garamond;">This
topic has li</span><span style="font-family: Garamond;">ngered with me as I’ve pondered the cultural and
psychological landscape of San Francisco’s unique, distinctive and diverse community.
What is our cultural and psychological makeup? <o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Garamond; font-size: 14.0pt;"><br /></span></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFVSDlcgWsFrDlvEhIYFJkdIadk23-R-8bcR3JSmKuM6jA6VygBZU7eWLFHWF3FEFcO62UGlrVWG8Q38DYp31ZS0k5b0zdCn6sT4B2mVOLJ9PYsQNVhE5QHQ1u8n-31iky6AJnRuBp7zhn/s1600/rv-city21_ph_0502572310.jpeg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFVSDlcgWsFrDlvEhIYFJkdIadk23-R-8bcR3JSmKuM6jA6VygBZU7eWLFHWF3FEFcO62UGlrVWG8Q38DYp31ZS0k5b0zdCn6sT4B2mVOLJ9PYsQNVhE5QHQ1u8n-31iky6AJnRuBp7zhn/s1600/rv-city21_ph_0502572310.jpeg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Map by Paz De La Calzada</td></tr>
</tbody></table>
<div class="MsoNormal">
<span style="font-family: Garamond; font-size: large;">When
people think of San Francisco, they think; liberal, left coast, tolerant,
bohemian, weird, multicultural, QUILTBAG (thank you Catherine for introducing
me to the correct term replacing LBGT) yuppie, old money, new money, fog, cold
summers, steep hills, earthquakes, Victorian architecture, café society, high
cost of living. We are home to the beat poets, topless clubs, Summer of Love, The Bohemian
Club, Sisters of Perpetual Indulgence, Those Darn Accordions, The Flaming Groovies, Twitter, Yelp, Pinterest, Mozella, Craigslist, Airbnb, Dashiell Hammett, Lemony Snicket, Mark Di Suvero, Richard Serra and
Benny Bufano. (To name just a few.)</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtxizL1fkm9q-6nkzrx5gcprrCoo9EwxVzLYgQEqgMySSTjYfGhtWwYmWsM8zDyyJhCgmLPsrhf_szsLbycEBl70IRqpvMBg-YyPFHFyli522VNKaHu96jjn7osA3QlZTmu6IZX-fdZAya/s1600/419J6zF+CvL._SY344_BO1,204,203,200_.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtxizL1fkm9q-6nkzrx5gcprrCoo9EwxVzLYgQEqgMySSTjYfGhtWwYmWsM8zDyyJhCgmLPsrhf_szsLbycEBl70IRqpvMBg-YyPFHFyli522VNKaHu96jjn7osA3QlZTmu6IZX-fdZAya/s1600/419J6zF+CvL._SY344_BO1,204,203,200_.jpg" width="185" /></a><span style="font-family: Garamond;"></span><br />
<div style="font-size: 14pt;">
<span style="font-family: Garamond;"><span style="font-size: large;">Thinking
about all of this also brought to mind another writer and an atlas—a specific and interpretive
atlas of San Francisco compiled and written by Rebecca Solnit, published in
2010 by University of California Press, called Infinite City—a San Francisco
Atlas.</span></span></div>
<span style="font-family: Garamond;"><span style="font-size: large;"><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Garamond; font-size: large;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Garamond; font-size: large;">Listen to
what Solnit has to say about the concept of geography and place in her prologue
and introduction:</span></div>
<div class="Body">
<span style="font-size: large;"><br /></span></div>
<div class="Body">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Garamond;"><span style="font-size: large;">Places are leaky containers. They always refer
beyond themselves, whether island or mainland, and can be imagined in various
scales, from the drama of a back alley to transcontinental geopolitical forces
and global climate. What we call places are stable locations with unstable
converging forces that cannot be delineated either by fences on the ground or
by boundaries in the imagination--or by the perimeter of a map. Something is
always coming from elsewhere, whether it's wind, water, immigrants, trade goods
or ideas. The local exists--an endemic species may evolve out of those
circumstances, or the human equivalent--but it exists in relation, whether
symbiotic with or sanctuary from the larger world...</span><span style="font-size: medium;"><o:p></o:p></span></span></i></div>
<div class="Body">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMvnVvai4fJbVLRLvs8aZ6HIzp-pfWiNf7LjrGgHbaS_ajPcV86YkCmbtIiUyoLCAb0TaH1_cstTTMuCYFz6EI933KcqedYDYhOCGMgb96QUxBU_qvpe29y8RaDkWtyr7zlBft06b5tuyV/s1600/Infinite_City_Poison.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="171" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMvnVvai4fJbVLRLvs8aZ6HIzp-pfWiNf7LjrGgHbaS_ajPcV86YkCmbtIiUyoLCAb0TaH1_cstTTMuCYFz6EI933KcqedYDYhOCGMgb96QUxBU_qvpe29y8RaDkWtyr7zlBft06b5tuyV/s1600/Infinite_City_Poison.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Map by Ben Pease and Sunaura Taylor</td></tr>
</tbody></table>
<div class="Body">
<span style="font-family: Garamond; font-size: large;">Thinking like
this, it seems a place is made up of many places, hard to define or pin down
and constantly changing. It is fluid. There is so much about San Francisco that
is fluid, liquid. We’re surrounded by water on three sides. Fog drifts in liquidy
skeins of tiny droplets. There is a constant flow of visitors coming and going
from all around the world. A constant influx of people, families, immigrating
from all corners of the world with an equal out flux of those leaving to find
more affordable living. Here, Solnit goes on to talk about urban space:</span></div>
<div class="Body">
<br /></div>
<div class="Body">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Garamond; font-size: large;">A city is a particular kind of place, perhaps best
described as many worlds in one place; it compounds many versions without quite
reconciling them, though some cross over to live in multiple worlds--in
Chinatown or queer space, in a drug underworld or a university community, in a
church's sphere or a hospital's intersections. An atlas is a collection of
versions of a place, a compendium of perspectives, a snatching out of the
infinite ether of potential versions a few that will be made concrete and
visible...the place that is San Francisco has both a literal geography as the
tip of the peninsula that juts upward like a hitchhiking thumb and another,
cultural, geography as the most left part of the left coast, the un-American
place where America invents itself. <o:p></o:p></span></i></div>
<div class="Body">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Garamond; font-size: 14.0pt;"><br /></span></i></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7HGp6YnMfOOuoyevlflt5_vbbwl9uN41BXOA4-OdCGrTgMobfFL7lPAQNAQ87yv__tuZcIipblDbjJIGHq2b1DuAUcGmkt6ExPmAXiLU8G6S_Jrnip1NYMq5VvymbU99sQL2XhjcTfZEg/s1600/628x471.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7HGp6YnMfOOuoyevlflt5_vbbwl9uN41BXOA4-OdCGrTgMobfFL7lPAQNAQ87yv__tuZcIipblDbjJIGHq2b1DuAUcGmkt6ExPmAXiLU8G6S_Jrnip1NYMq5VvymbU99sQL2XhjcTfZEg/s1600/628x471.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Map by Ben Pease and Mona Caron</td></tr>
</tbody></table>
<div class="Body">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Garamond; font-size: 14.0pt;"><br /></span></i></div>
<div class="Body">
<br /></div>
<div class="Body">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Garamond; font-size: large;">Every place is if not infinite then practically
inexhaustible, and no quantity of maps will allow the distance to be completely
traversed. Any single map can depict only an arbitrary selection of the facts
on its two dimensional surface (and today's computer -driven Geographical
Information System [GIS] cartography, with its ability to layer information, is
only an elegantly maneuverable electronic equivalent of the transparent pages
that were, in the age of paper, more common in anatomy books)...This city is,
as all good cities are, a compilation of coexisting differences, of the Baptist
church next to the dim sum dispensers, the homeless outside the Opera House.<o:p></o:p></span></i></div>
<div class="Body">
<span style="font-size: large;"><br /></span></div>
<div class="Body">
<span style="font-family: Garamond; font-size: large;">I think Solnit’s
comparison of books and libraries to people and the cities they live in is
brilliant:<o:p></o:p></span></div>
<div class="Body">
<span style="font-size: large;"><br /></span></div>
<div class="Body">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Garamond; font-size: large;">A book is an elegant technique for folding a lot
of surface area into a compact, convenient volume; a library is likewise a
compounding of such volumes, a temple of compression of many worlds. A city
itself strikes me at times as a sort of library, folding many phenomena into
one dense space--and San Francisco has the second densest concentration of
people among American cities, trailing only New York, a folding together of
cosmologies and riches and poverties and possibilities.<o:p></o:p></span></i></div>
<div class="Body">
<span style="font-size: large;"><br /></span></div>
<div class="Body">
<span style="font-family: Garamond; font-size: large;">I’ve lived in
San Francisco for more than 37 years and still gasp every time I leave and come
back, crossing the Golden Gate Bridge into the city. I often wonder what I
would think of the city today if I could see it with completely fresh eyes. Here,
Solnit talks about coming home to San Francisco after living for a while in a
homogenous rural area:<o:p></o:p></span></div>
<div class="Body">
<span style="font-size: large;"><br /></span></div>
<div class="Body">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Garamond; font-size: large;">Every building, every storefront seemed to open
onto a different world, compressing all the variety of human life into a jumble
of conjunctions. Just as a bookshelf can jam together wildly different books,
each book a small box opening onto a different world, so seemed the buildings
of my city: every row of houses and shops brought near many kinds of abundance,
opened onto many mysteries: crack houses, Zen centers, gospel churches tattoo
parlors, produce stores, movie palaces, dim sum shops.<o:p></o:p></span></i></div>
<div class="Body">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Garamond; font-size: 14.0pt;"><br /></span></i></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirXxWkjhIleF33O7aeXi_-44XD_e-Rjy9J-2KsWu1OJQhV-MJq19Xp6PushjHovtOXLJWcHAkSLP7PlDQW04Ug38d4dIoXN3lVfsDzjz-s_1V0l4jdrGiiXumVw5-zJj5IHguSf8uF20n_/s1600/Solnit_Treasure_070610.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirXxWkjhIleF33O7aeXi_-44XD_e-Rjy9J-2KsWu1OJQhV-MJq19Xp6PushjHovtOXLJWcHAkSLP7PlDQW04Ug38d4dIoXN3lVfsDzjz-s_1V0l4jdrGiiXumVw5-zJj5IHguSf8uF20n_/s1600/Solnit_Treasure_070610.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Map by Shizue Seigel</td></tr>
</tbody></table>
<div class="Body">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Garamond; font-size: 14.0pt;"><br /></span></i></div>
<div class="Body">
<br /></div>
<div class="Body">
<span style="font-family: Garamond; font-size: large;">This gorgeous
and infinitely fascinating book is a collection of 22 essays by 11 different
writers; each essay is accompanied by a full spread artist's map of a different
aspect of San Francisco, including: The Names Before the Names: The Indigenous
Bay Area, 1769; Green Women: Open Spaces and Their Champions; Monarchs and
Queens: Butterfly Habitats and Queer Public Spaces; Poison/Palate: The Bay Area
In Your Body; The World In a Cup: Coffee Economics and Ecologies; and Treasure
Map: The Forty Nine Jewels of San Francisco From the Giant Camera Obscura to
The Bayview Opera House.<o:p></o:p></span></div>
<div class="Body">
<span style="font-size: large;"><br /></span></div>
<div class="Body">
<span style="font-family: Garamond; font-size: large;">The book itself
is a treasure and is available in bookstores and at the public library. <o:p></o:p></span></div>
<div class="Body">
<span style="font-size: large;"><br /></span></div>
<div class="Body">
<span style="font-family: Garamond; font-size: large;">What is the
cultural and psychological landscape where you live?<o:p></o:p></span></div>
<div class="Body">
<span style="font-size: large;"><br /></span></div>
<div class="Body">
<span style="font-family: Garamond; font-size: large;">Take Good
Care,<o:p></o:p></span></div>
<div class="Body">
<span style="font-size: large;"><br /></span></div>
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<span style="font-family: Garamond;"><span style="font-size: large;">Sharry</span><span style="font-size: medium;"><o:p></o:p></span></span></div>
Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com5tag:blogger.com,1999:blog-7725892775056737468.post-62148917086024489902015-08-27T00:01:00.000-04:002015-08-24T18:39:30.594-04:00A MURDER OF CROWS Revisited from August 2013<!--[if gte mso 9]><xml>
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<span style="font-family: "Times New Roman";">Every evening we walk our dog Emma to Ina Coolbrith Park at the top of Russian Hill. And every
evening there are a few scolding crows who object to Emma’s presence—who could
blame them? She takes delight in chasing them off the grass in other locations
around San Francisco whenever she gets the chance. <o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-4wZLhGTbtNKsWz62XKZYQtGcyIJFG4eQOyf_bKe0ZU4mIv8QK8HdVT9EV536zWHHGwaSBtZaYW3GHiqg7aKAkLvOVkGxBunf_jWvqyBqv7Vavr2rj2Rtzl6xhyphenhyphenSw3p-MqjzjLi3LAq0j/s1600/3039298549_43596f8b62-1.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-4wZLhGTbtNKsWz62XKZYQtGcyIJFG4eQOyf_bKe0ZU4mIv8QK8HdVT9EV536zWHHGwaSBtZaYW3GHiqg7aKAkLvOVkGxBunf_jWvqyBqv7Vavr2rj2Rtzl6xhyphenhyphenSw3p-MqjzjLi3LAq0j/s320/3039298549_43596f8b62-1.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo courtesy of John Winkleman</td></tr>
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<span style="font-family: 'Times New Roman';">But for the past
few months, there have been more than a few crows at the top of the hill. In
fact, there have been a whole lot of crows—a murder—which is what a group or
flock of crows is called. (A group of ravens is called an unkindness, or a
conspiracy. Rooks are a building or a parliament) Why a murder? (Why unkindness
or parliament, for that matter? But I’m going to stick to crows and murder,
here) Supposedly because of crows' historical propensity to show up on
battlefields after a bloody fight, which led to their association with violent
death. And whether it’s this attributive name or a more deeply imbedded
superstition or Edgar Allen Poe, a gathering of a lot of crows feels somehow ominous.
Like they’re plotting something. Like they’re up to no good. I keep a firm
hold on Emma’s leash, in case they attempt to swoop down and airlift her out
over the Bay. These Ina Coolbrith crows probably remember her from the other
parks miles away—or have at least heard about her. I kid you not—crows not only
have been proven to have face recognition, but to pass that information on to
other crows—‘watch out for that bad guy’, or in Emma’s case, ‘that split-faced
dog with the needle nose.’ And these birds are fearless—I’ve watched them, time
and time again, work in pairs, dive-bombing a red-tail hawk they feel is
infringing on their territory.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTSmpzUtOytiqBjC-tQ7tbKhacDwTK3QLURq_BCvKXERagJ7xVmfkk90Ku7Z_nen7_YkNy4pOxmp33jjywoYDI2gH8vB-GCRMbEjbyDFFrcHI46ZgwCptEpCMax64lDbRMKyTGeDR6ZNVV/s1600/4487261052_8e89f3a5bc.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTSmpzUtOytiqBjC-tQ7tbKhacDwTK3QLURq_BCvKXERagJ7xVmfkk90Ku7Z_nen7_YkNy4pOxmp33jjywoYDI2gH8vB-GCRMbEjbyDFFrcHI46ZgwCptEpCMax64lDbRMKyTGeDR6ZNVV/s320/4487261052_8e89f3a5bc.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo courtesy of Matt from London</td></tr>
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<span style="font-family: "Times New Roman";">They’re also
incredibly smart. John Marzluff, professor of avian social ecology and
demography at The University of Washington calls crows and ravens ‘feathered
apes.’ They have complex brains with astonishing reasoning abilities. They
build and use tools. They are capable of three step reasoning. Without prompting or previous observation, a crow will retrieve a short stick dangling from a piece of string in order to retrieve a longer stick inside a cage in order to get at a piece of food in a long tube. That's complex thinking.<o:p></o:p></span></div>
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<span style="font-family: 'Times New Roman';">Crows also play.
They use flats of bark to ‘surf’ the wind and take pleasure in sliding on snowy
slopes. Crows have been known to engage in string play with cats. They play
tricks on people. And dogs. Marzluff tells a story about a colleague on the
University of Montana campus who woke up one morning to his dog madly barking—when
he went out he could hear someone calling, “Here dog, come on boy. Come on.”
When he went to see who was calling his dog, he found it was a crow! Later,
that same crow gathered up a whole pack of dogs in the same way and when
classes let out, the crow gave a big “Caw!” scattering the dogs, causing chaos
and making more than a few students spill their bags of chips. A clever way to
get a snack.</span></div>
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<span style="font-family: "Times New Roman";">But back to
murder. This concept of crows and ravens as harbingers of death, as evil omens.
I know, of course, that it is a trope. That if you put a flock of crows in a
story, the reader will assume something bad is going to happen. They will
expect death to show up on the page by the end of the next chapter. But reality
and fiction aren’t always the same and I’m starting to think that crows have
gotten the short end of the stick, fiction wise. Maybe as our knowledge of
these amazing birds grows and changes, the trope will change. Maybe someday a
flock of crows on the page will signify a joke about to be played. Or a complex
problem about to be solved. For as Henry
Ward Beecher, an oft quoted Congressional clergyman in the 1800’s once said,
“If men had wings and bore black feathers, few of them would be clever enough
to be crows.”<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEYIZVmY9rhp2esezTWYASZr5evoB5voQ58nWkZmGXaG5UB8BB7T8XKW1_WqfuR-0Zf7VuUMbHHg91752nOr3YyiVbr1gTUU6AP9lpVnNLFGPlR5_7_pNa8WhQj6NLnd9dAMetzRlLvv5F/s1600/images.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEYIZVmY9rhp2esezTWYASZr5evoB5voQ58nWkZmGXaG5UB8BB7T8XKW1_WqfuR-0Zf7VuUMbHHg91752nOr3YyiVbr1gTUU6AP9lpVnNLFGPlR5_7_pNa8WhQj6NLnd9dAMetzRlLvv5F/s1600/images.jpeg" /></a></div>
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<span style="font-family: "Times New Roman";">Does anybody
have other stories about crows they’d be willing to share? I’d love to hear
about them!<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman";">Take Good Care,<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman";">Sharry<o:p></o:p></span></div>
<!--EndFragment-->Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com3tag:blogger.com,1999:blog-7725892775056737468.post-64303860722257781282015-07-10T00:01:00.000-04:002015-07-10T18:55:26.698-04:00The Landscape of Home Away From Home<br />
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I’ve been home for a while (a month!) after a flurry of travel, (New York, Mexico City, San Miguel Allende, Santa Fe, Atlanta, Hawaii) and now I'm getting ready to head East again in a few weeks. It's hard to stay put for very long these days when there are so many places I want to go, (and go back to), so much I want to see.<o:p></o:p></div>
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For me, travel seems to open my heart and mind to other
lives while expanding my sense of potential and possibility. I always love
imagining myself, another version of myself, living in the places I visit. The
contrast from a place like Santa Fe to say, New York City stretches across the spectrum from my life in San Francisco, allowing me to construct very
different imaginary lives over the span of a few months.<o:p></o:p></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-TEE436gYr6oC_aO2Y3mnlg-_FTj-SapM_Tgm1hPPS12GO_rRZ_8ul6SaSi3WYNQaPUgVIaU9MhrgJPrvJKoXEeEW23KSpwSpRf_3g-HggU0tCijZOL8mMsSEnmg3sIMJFvpe-9MCzFJm/s1600/IMG_1755.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-TEE436gYr6oC_aO2Y3mnlg-_FTj-SapM_Tgm1hPPS12GO_rRZ_8ul6SaSi3WYNQaPUgVIaU9MhrgJPrvJKoXEeEW23KSpwSpRf_3g-HggU0tCijZOL8mMsSEnmg3sIMJFvpe-9MCzFJm/s320/IMG_1755.JPG" width="320" /></a>Something I always do when I’m away from home, is to find
‘my house’—the house where I would, in my imaginary life, reside. I have
virtual parallel lives and houses on several continents; a house in Buenos
Aires, a house in Santa Fe, a house in Paris. My 'house' in Montpelier, Vermont is a
charmingly tiny brick coach house, not much bigger than a child’s playhouse,
where I could imagine myself as a quirky, arty spinster inviting my favorite
writers to tea and making dolls to hand out as muses.<o:p></o:p></div>
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I discovered my favorite house (where the imagined famous
writer version of myself lives and writes sweeping best seller sagas whispered
to me by the ghosts who walk the moors) while on a family vacation driving
through Dartmoor. We were in search of a Celtic stone circle from a postcard I’d
purchased in Moretonhamstaed, driving, windows down, listening to the wind hush
through the trees. Dragonflies zipped and hovered over grazing moor-ponies and
sheep. <span style="mso-spacerun: yes;"> </span><o:p></o:p></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga63DNA897tDxrG7C47cLVCsaUYYt5I2rd8JzIzEiqUemWKT4byDVSIkP2z0THTtxxdZ_1FORZQGqPyYzcaoGGK9CoCIndbfkZ3XE7IDyVZ7IzCOOsziVh16VOyIjvGdbp7FM02kv-_2_A/s1600/knitted+farm+001.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga63DNA897tDxrG7C47cLVCsaUYYt5I2rd8JzIzEiqUemWKT4byDVSIkP2z0THTtxxdZ_1FORZQGqPyYzcaoGGK9CoCIndbfkZ3XE7IDyVZ7IzCOOsziVh16VOyIjvGdbp7FM02kv-_2_A/s200/knitted+farm+001.jpg" width="200" /></a></div>
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And then there it was—the stone house that I silently but
immediately recognized as my house. Time passed as we continued down the narrow
road, until my husband turned to me and said, “Wasn’t that ‘your house?’”</div>
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“Yes!” I said. “It was!” He made a wide u-turn in the middle
of the road, circling back. When I got out to take a photo, the owner came out
and told us all about the house—how he and his wife and children were there on
sabbatical—she was an architect, he a historian. He seemed very open to having
my imaginary self move in when they went back to London the next year.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidR6Dz8hg_QcWd9C2asQfSEuFlC9-uo1A97G33b4y54JEa_j1q20Vh4YZJLDeqmotkvP7CR6JDVgqqWJzO5hZOMinqx7AeiWU-KMyLxb0l0gX9zBkTqiqU2PjHNJmMEayQmxGS006Nr03w/s1600/knitted+farm+002.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidR6Dz8hg_QcWd9C2asQfSEuFlC9-uo1A97G33b4y54JEa_j1q20Vh4YZJLDeqmotkvP7CR6JDVgqqWJzO5hZOMinqx7AeiWU-KMyLxb0l0gX9zBkTqiqU2PjHNJmMEayQmxGS006Nr03w/s400/knitted+farm+002.jpg" width="400" /></a></div>
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Now, if this all sounds pretty indulgent, consider the value
of the exercise for housing fictional characters. We all have to live
someplace, whether in real life, imaginary life or in fiction and sometimes the
boundaries are thinner than you might think.<o:p></o:p></div>
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Take Good Care,<o:p></o:p></div>
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Sharry<o:p></o:p></div>
<!--EndFragment-->Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com4tag:blogger.com,1999:blog-7725892775056737468.post-63640051411111141912015-06-25T16:23:00.000-04:002015-06-25T16:23:01.818-04:00Herding Gulls<div class="MsoNormal">
<span style="font-size: large;">During times when so much of my life seems to be in uncertain flux, it's good to look back and realize that some things haven't changed...</span><br />
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<span style="font-size: large;">This is a post I wrote four years ago, but with the exception of the closing of The House Of Days, it could have been written today~</span><br />
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<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDn3HarZPPJCHf3GIhQzQV1NHuKcwawQnaGwtkWgcrLDFCOPYorv-9-F0koLX7Mwd-nSa2uEZczDGykRCRNOMOomX1PMPydqEETMwQt4qY819UJg8lDO5acjOiFgm99O9N0jk7d-24Ivi_/s1600/images.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDn3HarZPPJCHf3GIhQzQV1NHuKcwawQnaGwtkWgcrLDFCOPYorv-9-F0koLX7Mwd-nSa2uEZczDGykRCRNOMOomX1PMPydqEETMwQt4qY819UJg8lDO5acjOiFgm99O9N0jk7d-24Ivi_/s1600/images.jpeg" /></a></span></div>
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<span style="font-size: large;">Yesterday, as the sun dropped low in the sky, my canine companion and I headed off on one of our favorite walks out on the municipal pier that curls into the San Francisco Bay at the end of Van Ness Avenue. Emma, a Shetland Sheepdog without a flock, especially loves this walk; she stalks and herds every gull who dares to rest on the pier wall. Her sincere efforts to launch herself into the sky (both comic and a little pathetic) always make the fisherfolk checking their crab pots laugh.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkDc7ynrgKk4vUafw-YicBF1JCguG1s2yXU2vvPAggU2V-E9V4zWYwgXsj8KhpbcSFOIhOWouymuGmTL8Gj5J2taj7cbJL8ncKikwXo-acbTAKBGlMGbgOjAylEvW2GeLKoQoBAO9fYXMD/s1600/images.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkDc7ynrgKk4vUafw-YicBF1JCguG1s2yXU2vvPAggU2V-E9V4zWYwgXsj8KhpbcSFOIhOWouymuGmTL8Gj5J2taj7cbJL8ncKikwXo-acbTAKBGlMGbgOjAylEvW2GeLKoQoBAO9fYXMD/s1600/images.jpeg" /></a></div>
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<span style="font-size: large;">As we walked out on the dilapidated pier, shaped like a French curve drafting tool, warm coppery light poured through the Golden Gate. Literally hundreds of seagulls criss-crossed the bay, skimming the water in hopes of supper. A sea lion poked its head above the water, orienting itself before a smoothly undulated dive back under. A constellation of star fish clung tenaciously to the breakwall just above the tide line.</span></div>
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<span style="font-size: large;">A lone swimmer from the Dolphin Club braved the inlet waters—53 degrees at the most. You couldn’t pay me to get in that cold water, but some people I know do it every single day.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkmUuYwMzHTmT6li82wxBq77SBdmK73Fgh_TFa35ilYj9N4aB2TZR1LdBgccL_9IIK6SXaTdBkcVUBRW_E89wkTgyZZA2h7A3jeinUag9NzecYRy1hkL9zJaVW6xt9k7m6uDjru1tZtGZ5/s1600/images.jpeg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkmUuYwMzHTmT6li82wxBq77SBdmK73Fgh_TFa35ilYj9N4aB2TZR1LdBgccL_9IIK6SXaTdBkcVUBRW_E89wkTgyZZA2h7A3jeinUag9NzecYRy1hkL9zJaVW6xt9k7m6uDjru1tZtGZ5/s1600/images.jpeg" /></a><span style="font-size: large;">Just off the pier, a class of grade school children sang sea shanties from the deck of the Balclutha—a retired, three-masted, 300 foot, clipper ship built in 1886. This ship once carried goods around the tip of South America but is now maintained by the San Francisco Maritime National Historical Museum and used for monthly overnight field trips for local schools.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCCjN63D7j_rRvJpo7wHV6SDxQn6_c4_PwWzTE4ubNjIPmsrVksKpSfSA58-CV0gMB3HG2-LdkmC7cPEFD4lbrF9Bywn_lKe5FOym92V4eRR6QiZmqcp1tt6UTqDmrUfaZ5NAmcD7PljGm/s1600/gridAndGull.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="193" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCCjN63D7j_rRvJpo7wHV6SDxQn6_c4_PwWzTE4ubNjIPmsrVksKpSfSA58-CV0gMB3HG2-LdkmC7cPEFD4lbrF9Bywn_lKe5FOym92V4eRR6QiZmqcp1tt6UTqDmrUfaZ5NAmcD7PljGm/s1600/gridAndGull.jpg" width="320" /></a></div>
<span style="font-size: large;">After walking the length of the pier and back, we started climbing the hill toward our car, parked at the upper Fort Mason Green, but stopped to peer inside the House of Days. The small cement building, once the Searchlight building, was adapted by The Exploratorium; a tiny window allows viewers to glimpse a photographic display chronicling changing weather conditions at regular intervals. This is one of my favorite parts of our walk; for me, the pattern and rhythm of this progression is somehow validating, reassuring and holds the promise of many more glorious days to come.</span><br />
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<span style="font-size: large;">Take Good Care,</span></div>
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Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com0tag:blogger.com,1999:blog-7725892775056737468.post-3416961882349266002015-06-19T14:55:00.002-04:002015-06-19T14:55:39.854-04:00The Landscape of Space RepriseI love this quote. And I believe it deeply:<br />
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<i>A writer only begins a book. A reader finishes it.</i><br />
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Samuel Johnson is credited with saying that.<span style="background-color: white; font-family: Georgia, Times, serif; font-size: 14px; line-height: 21px; text-align: -webkit-right;"> </span>Here is another way to put it:<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkLucFmfQEVvXjVNUUyUNW2nWalCnroOtVbkoUmBDhfISURH2u9HJR7G_hrzoimqEzrwBt3an4BBkzrDPMKQjyK24xy6M8vJEypgnRu8OFKHjAu9FjE3krCoGZYezG4LIVOrL2uowjyXz6/s1600/969976_10151516605023212_1688057444_n.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkLucFmfQEVvXjVNUUyUNW2nWalCnroOtVbkoUmBDhfISURH2u9HJR7G_hrzoimqEzrwBt3an4BBkzrDPMKQjyK24xy6M8vJEypgnRu8OFKHjAu9FjE3krCoGZYezG4LIVOrL2uowjyXz6/s320/969976_10151516605023212_1688057444_n.png" width="276" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 13px;">From BookBrowse's <a href="https://www.facebook.com/bookbrowse">FB page</a></td></tr>
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Right? Have you ever done that? I literally have. Or have you ever felt that? Felt like your book is so much a living breathing thing that you want to hold it, hug it, take its hand and walk to the park with it? I have felt that. Over and over again.<br />
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How does a writer create the kind of book that asks for that kind of engagement? I have been thinking endlessly about this as I have revised my last WIP. My last blog post delves into this too. The answer lies, in large part, with the space we writers have to leave...in the story and on the page. I have preached this for years. Ask my friends. I have been obsessed with it. The partnership between the reader and the writer. Louise Rosenblatt's <a href="http://www.vccaedu.org/inquiry/inquiry-spring97/i11chur.html">Reader Response Theory</a>. (The reader is a necessary part of completing the book.) Scooting over on the bench to make room for the reader. All that and more. But it has been tough to put my pen where my mouth is. </div>
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I made a break though though this time around. Part of what made it possible was that I had been away from the text for a while. (Give your self space from your WIP in order to make space for the reader!) I was ruthless about cutting. Not just excess adjectives or favorite phrases, but whole ideas. I took myself out of the manuscript and left the characters there to fend without me. I trusted---for the first time---that the reader would be there to take care of them. My characters.<b> </b></div>
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<b>I created space, and in creating space I created trust. </b></div>
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Or as Chuck Wendig <a href="http://terribleminds.com/ramble/2011/06/20/25-things-you-should-know-about-writing-a-novel/">says</a>, as only he can say it:</div>
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<br /></div>
<div>
<i>The reader wants to work. The reader doesn't know this, of course, so don't tell him. SHHH. But the reader wants to fill in the details. He wants to be invested in the novel and to make his own decisions and reach his own conclusions. You don't need to write everything. You can leave pieces (of plot, description, dialogue) out. The reader will get in the game. His imagination matters as much as yours. Make that f#$%&@ dance for his dinner.</i></div>
<div>
<br /></div>
<div>
I am going to continue to ponder this. And work on it. I would love to hear your ideas about it too. </div>
<div>
<br /></div>
<div>
Gratefully yours (and apologies for posting a day late!)</div>
<div>
Tam </div>
<div>
<br /></div>
<div>
<br /></div>
Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com0tag:blogger.com,1999:blog-7725892775056737468.post-41474331163587735612015-06-11T00:01:00.000-04:002015-06-11T01:00:07.816-04:00The (Possible) Blessings of Boredom (revisited from 6/26/14)<div class="MsoNormal">
<span style="font-family: "Times New Roman";"><span style="font-size: large;">I have just
finished a big project—the novel I’ve been working on for the past few years.
I’ve taken some time to catch up on some other business that was neglected in
the fervor of the big project, spent a few weeks planning for and teaching
another fun and successful Young Writers’ Workshop with my wonderful teaching
partner Ann Jacobus, and now I’m going to…<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDvKWlAoa8xSLRk-rTKtug-Jxj3j63TU8zHaMI_Zf5tTX96ncYzZ928h27quJ0eJcDKjwXQMW6KEAkXaJhvCXgbmzKIyq8YvSZeOFAOolAIWQgOMHnT1qaA96OEYO_GbZVDNVfyJq9U03z/s1600/bunny.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDvKWlAoa8xSLRk-rTKtug-Jxj3j63TU8zHaMI_Zf5tTX96ncYzZ928h27quJ0eJcDKjwXQMW6KEAkXaJhvCXgbmzKIyq8YvSZeOFAOolAIWQgOMHnT1qaA96OEYO_GbZVDNVfyJq9U03z/s1600/bunny.jpg" width="222" /></a></div>
<br />
<div class="MsoNormal">
<span style="font-family: "Times New Roman";"><span style="font-size: large;">Well, I’m not exactly
sure what I’m going to do next. <o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman";"><span style="font-size: large;">I mean, I have
plenty I <i style="mso-bidi-font-style: normal;">could</i> do—I have a half
finished novel that should be taken apart and started over again. I have lists
of ideas for new novels and more niggling at the back of my brain. But writing
a novel is a huge commitment—not one you can take lightly and none of my
current ideas are really “calling” to me at the moment. Besides, it seems my
muse is taking a summer vacation like most everyone else. I’m expecting a
postcard from Tahiti any day…<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman";"><span style="font-size: large;">I’m trying not
to panic. I don’t like not knowing what I want. Already, I feel an uneasy
restlessness creeping up beside me. A restlessness that if quantifed, is
basically a wish for a desire.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman";"><span style="font-size: large;">Luckily, blessedly,
sometimes the Universe delivers a little gift right at the moment you sorely
need it. One such gift showed up in the form of another blog post last
Sunday—an essay by Maria Popova on the importance of boredom, which boils down
to the innate discomfort of waiting for something when you don’t know what it
is, and won’t know until you find it. Popova examines the writings of
psychoanalyst Adam Phillips, who said that the experience of boredom is really the experience of waiting for yourself. <o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIAV4Z-uqojkSLEvdQ10-7qFecz_0o-jHVexwK9D1Y7Yvlw2bSz-ygK26rU5tuRr_BBvHCQmb4nbnhbv4w9ZVNMaK657ykWvEYR3FMyzLZ5Vg4IpKxrhlmV9i-BQEZshVlvhG-bxTWjXH8/s1600/daisy+chains0_fav.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIAV4Z-uqojkSLEvdQ10-7qFecz_0o-jHVexwK9D1Y7Yvlw2bSz-ygK26rU5tuRr_BBvHCQmb4nbnhbv4w9ZVNMaK657ykWvEYR3FMyzLZ5Vg4IpKxrhlmV9i-BQEZshVlvhG-bxTWjXH8/s1600/daisy+chains0_fav.jpg" /></a></div>
<br />
<div class="MsoNormal">
<span style="font-family: 'Times New Roman';"><span style="font-size: large;">Waiting for
yourself. I have to say that struck a nerve. That’s what I feel like I’m doing
right now. Apparently, creativity needs occasional boredom—it is the time and
space needed for a new desire to take shape. (Hear that, muse? I hope you’re getting good and bored on that lovely beach in Tahiti…)</span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: 'Times New Roman'; font-size: large;">Throughout the
essay, I recognized so much of myself, so many of my own feelings—the
association between being “good” and being productive and then the opposite—pairing
being unproductive with being “not-so-good.” I certainly recognized the impulse to fill up spare time
with busyness, to find a distraction…(like, ahem... checking Facebook and Twitter and
email many times an hour.) The deep-seated fear that if you stop doing what you
do for even a short time, you won’t know who you are anymore. I mean, how can
you be a writer if you’re not writing? (The dualistic question is ‘how can you
be a writer if you don’t take time to be present, to observe, to wander…?’)</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVJwB2OpLPWvOwDBvHksHCmH38ASmlZlx8Otr4ET0kcQEioMlIB2P0phqSnYpAyzy74v53K7-gGSCxW9L9awMC3vtivTm0IGRgCruKQDzc6okL6N2ny7xIlfdAjB1rFEMhBWSPaRWyOKoj/s1600/old-telephone-cobalt-blue.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVJwB2OpLPWvOwDBvHksHCmH38ASmlZlx8Otr4ET0kcQEioMlIB2P0phqSnYpAyzy74v53K7-gGSCxW9L9awMC3vtivTm0IGRgCruKQDzc6okL6N2ny7xIlfdAjB1rFEMhBWSPaRWyOKoj/s1600/old-telephone-cobalt-blue.jpg" width="200" /></a><span style="font-family: "Times New Roman";"><span style="font-size: large;">But I do
actually know that it’s so important at times to be still, to be quiet and, I
suppose, to let yourself be bored for a while. I’ve told my own writing students
that they need to “get off the phone” if they want the muse to call. <o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman";"><span style="font-size: large;"><br /></span></span></div>
<div class="MsoNormal">
<span style="font-family: 'Times New Roman'; font-size: large;">So, yes, it’s
time to take my own advice and get off the phone.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman";"><span style="font-size: large;">For a while, at
least…<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman";"><span style="font-size: large;">You can all read
all of Maria Popova’s excellent essay <a href="http://www.brainpickings.org/index.php/2014/06/19/adam-phillips-boredom/">here</a>.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman";"><span style="font-size: large;">Take Good Care,<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
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<span style="font-family: "Times New Roman";"><span style="font-size: large;">Sharry</span><o:p></o:p></span></div>
Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com0tag:blogger.com,1999:blog-7725892775056737468.post-62327472449633479552015-06-04T13:49:00.000-04:002015-06-04T13:49:20.124-04:00Repost of Community Garden<div class="separator" style="clear: both; text-align: center;">
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We have a community garden on our block!</div>
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<span style="mso-bidi-font-family: "Times New Roman";">My dear friend and neighbor, Stef, inspired it. Both of us—many of us on our block—garden. Stef lives on the park side of our street, and her garden sits in the back of her house, facing the park and the river. The river, right? The one that has overflowed a number of times recently and flooded the park and our block. Stef's house and land have been hit especially hard by the floods and she has virtually lost her garden. It has basically washed away.<span style="mso-spacerun: yes;"> </span>Not good. Not good at all.<o:p></o:p></span></div>
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<span style="mso-bidi-font-family: "Times New Roman";">But—<o:p></o:p></span></div>
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<span style="mso-bidi-font-family: "Times New Roman";">At the other end of our block, just past my house, there is a big open field. A local guy owns it. Way back when it was used as a cow pasture.<span style="mso-spacerun: yes;"> </span>And then, I believe, it was hayed. Now, it basically sits un-used—sometimes kids play ball there, we all use it as a shortcut to get to the block behind ours, but mostly it has been a place where some people just let their dogs poop. So Stef approached the owner of the land about us using it for a community garden. He was thrilled with the idea! We asked our neighbors if they wanted to join in, two were interested, and now our four households are partners in the—<o:p></o:p></span></div>
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<span style="color: #4f6228; font-size: 18.0pt; mso-bidi-font-family: "Times New Roman"; mso-themecolor: accent3; mso-themeshade: 128;">Esplanade Garden!</span><span style="color: #4f6228; mso-bidi-font-family: "Times New Roman"; mso-themecolor: accent3; mso-themeshade: 128;"><o:p></o:p></span></div>
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpcchaMB-AWzwpurIjM1IDjuffCr9DZeO_iwKWUN2N9S-gNhyjhCtPZUW6g9lTOkIAyiOWBuUe1TE9S39k2BLLYOkk6jx_ttbV3NF0vkXyrzEq56aZxv7cpLYlpqLcZnQQDBzv5ybYbbtU/s1600/Image+3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpcchaMB-AWzwpurIjM1IDjuffCr9DZeO_iwKWUN2N9S-gNhyjhCtPZUW6g9lTOkIAyiOWBuUe1TE9S39k2BLLYOkk6jx_ttbV3NF0vkXyrzEq56aZxv7cpLYlpqLcZnQQDBzv5ybYbbtU/s1600/Image+3.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 13px;">Stef's son and my daughter planting peas!</td></tr>
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Over the last six weeks or so we have planned the layout of the garden, measured it, dug up sod, built a bean teepee, painted signs, shopped, planted seeds and starts, and watered the garden. The vegetables are already looking vibrant and strong. And we all—well, I think we all feel more vibrant and strong too. It's fun to work collaboratively on such a dynamic project. It feels good to be in the dirt side by side. Each of us has a little expertise in one piece of the process (some—e'hem, like me—have less expertise than others!) and so we are learning a lot too!<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLTP8YrqHKKmsatAS4OYxqGjhhhwEE59oVeimm_onLxcKsxwaztM6q0tEhS4wclFQwGIKf_IWiszSSvun5rLgySI2AEtngWpI7B0z02FKd1fTg1-Qil5jAMWkGCjFT8mB6BzdBEE5Tlc6r/s1600/Image+1.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLTP8YrqHKKmsatAS4OYxqGjhhhwEE59oVeimm_onLxcKsxwaztM6q0tEhS4wclFQwGIKf_IWiszSSvun5rLgySI2AEtngWpI7B0z02FKd1fTg1-Qil5jAMWkGCjFT8mB6BzdBEE5Tlc6r/s1600/Image+1.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 13px; text-align: center;">Our pole bean teepee</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJAPuY511HYheGS5JftwsdLNP1Q6nLNqZY-iBA50xd4boc8pyebPxHDynDVfuaeMyz86zQltlMQHCQYhc2yK4qCD7hVtqAbSwgmEzOSUOX__8MoVZkjeYDuF4EcCCqH4qOjO_exIFEstGF/s1600/Image+2.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJAPuY511HYheGS5JftwsdLNP1Q6nLNqZY-iBA50xd4boc8pyebPxHDynDVfuaeMyz86zQltlMQHCQYhc2yK4qCD7hVtqAbSwgmEzOSUOX__8MoVZkjeYDuF4EcCCqH4qOjO_exIFEstGF/s1600/Image+2.jpg" width="239" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 13px; text-align: center;">And look! Bean plants are beginning to grow!</td></tr>
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<span style="mso-bidi-font-family: "Times New Roman";">Here is the other amazing (yet not so surprising) thing: we have already had a number of spontaneous and warm moments with other neighbors as a result of the garden. For example: when we were digging up the sod and had no real idea what we were doing, the neighbor across the street came over with her sod buster, a sharpener and her Master Gardener skills and she showed us how to dig up sod the right way!<span style="mso-spacerun: yes;"> </span>She ended up staying to help, brought her dad and brother to help too, and it turned out that she and her family needed the sod to replace grass that had been destroyed in the flood. We dug it up, transported it to her house and they replanted it.<span style="mso-spacerun: yes;"> </span>I had NEVER spent time with her before. Ever.<span style="mso-spacerun: yes;"> </span>It was awesome. And, I don't know, it felt kind of critical too.<o:p></o:p></span></div>
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<span style="mso-bidi-font-family: "Times New Roman";">Community gardens are a great thing for all the reasons we already know.<span style="mso-spacerun: yes;"> </span>They promote healthy eating and healthy relationships. They save money and save land.<span style="mso-spacerun: yes;"> </span>And they connect us—to ourselves, to each other and to the landscape that is our home.<o:p></o:p></span></div>
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<span style="mso-bidi-font-family: "Times New Roman";">Our community garden made me want to understand their history. And so here is a brief overview, with some illustrations from a few of my favorite gardening picture books:<o:p></o:p></span></div>
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<tr><td class="tr-caption" style="font-size: 13px; text-align: center;"><i>The Curious Garden</i> by <a href="http://www.peterbrownstudio.com/">Peter Brown</a></td></tr>
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<span style="mso-bidi-font-family: "Times New Roman";">1. During the 1893 depression, Detroit's mayor, Hazen Pingree, proposed a plan. He suggested using donated vacant land for gardens, which would provide temporary work for unemployed folks. Known as <b style="mso-bidi-font-weight: normal;">Pingree Potato Patches</b>, the program offered ¼ to ½ acre sites, and also provided seeds and instructions in 3 languages. The food raised was available for sale. Based on PPP's success, similar programs were started in in New York, Chicago, Boston, and other cities.<o:p></o:p></span></div>
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<span style="mso-bidi-font-family: "Times New Roman";">2. In 1891, the <b style="mso-bidi-font-weight: normal;">first school garden</b> opened at the Putnam School in Boston. Other school gardens followed. They were most often run by teachers and supported by local organizations—women’s clubs, gardening clubs, civic clubs, etc—who provided volunteers, land, and funding. In 1914, the U.S. Bureau of Education created the Division of Home and School Gardening in an effort to promote gardens nationally.<o:p></o:p></span></div>
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<tr><td class="tr-caption" style="font-size: 13px; text-align: center;"><i>The Gardener</i> by <a href="http://davidsmallbooks.com/sarah_bio.php">Sarah Stewart</a></td></tr>
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<span style="mso-bidi-font-family: "Times New Roman";">3. The <b style="mso-bidi-font-weight: normal;">war garden campaign</b> began when the U.S. joined World War I. American volunteers banded together to raise food for their households so that farm-raised food could be exported to Europe, where there was a severe food crisis. Huge numbers of people participated in this effort, and gardens were started in backyards, vacant lots, parks, company grounds—on any available land. In 1918, the Bureau of Education restructured the Division of Home and School Gardening into the U.S. School Garden Army. Some reports state that 5.29 million gardeners grew $525 million worth of food in 1918 alone.<o:p></o:p></span></div>
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<span style="mso-bidi-font-family: "Times New Roman";">4. People turned to gardening again during the 1930s depression. Two types of gardens existed at this time: <b style="mso-bidi-font-weight: normal;">subsistence gardens</b>, which were found at people's homes and on community property; and <b style="mso-bidi-font-weight: normal;">work-relief gardens</b>, where folks were paid to grow food that was used in hospitals and by charities.<o:p></o:p></span></div>
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<tr><td class="tr-caption" style="font-size: 13px; text-align: center;"><i>Grandpa Green</i> by <a href="http://www.lanesmithbooks.com/LaneSmithBooks/Lane_Smith_Books.html">Lane Smith</a></td></tr>
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<span style="mso-bidi-font-family: "Times New Roman";">5. World War II brought federally guided <b style="mso-bidi-font-weight: normal;">Victory Gardens</b>. They were part of the larger Food Fights for Freedom campaign that included rationing, recycling, canning, handicrafts, and volunteer farm work. The Victory Garden program promoted gardening for household food consumption and, in 1944, 42% of the nation's vegetables came from them.<span style="mso-spacerun: yes;"> </span>42%!!<span style="mso-spacerun: yes;"> </span>This was a practical movement, yes, but it was also a philosophical and emotional one. Participating in Victory Gardens was a way to express patriotism, build morale and collaborate in a fun, relaxing way.<o:p></o:p></span></div>
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6. In the 1970s, interest in community gardening was rekindled. It became an expression of urban activism and a new environmental ethic. In 1976, the USDA sponsored the Urban Gardening Program, which created urban offices in 16 (and then 23) cities to promote vegetable gardening and community garden. In 1978, the <b style="mso-bidi-font-weight: normal;">A<a href="https://communitygarden.org/">merican Community Gardening Association</a></b><a href="https://communitygarden.org/"> </a> was created as a non-profit membership organization.<o:p></o:p></div>
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<tr><td class="tr-caption" style="font-size: 13px; text-align: center;"><i>The Good Garden</i> by <a href="http://www.thegoodgarden.org/Katie.php">Katie Smith Milway</a></td></tr>
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<b>7. Truck farms</b>. Remember the <a href="http://smithwright.blogspot.com/2013/09/the-landscape-of-truck-farm.html">post</a> I did on Ian Cheney and his amazing project?<span style="mso-spacerun: yes;"> </span>I just LOVE that truck…<o:p></o:p></div>
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<span style="mso-bidi-font-family: "Times New Roman";">Do you have any community garden stories to share?<span style="mso-spacerun: yes;"> </span>Or books about community gardens?<o:p></o:p></span></div>
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<span style="mso-bidi-font-family: "Times New Roman";">Gratefully yours,</span></div>
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<span style="mso-bidi-font-family: "Times New Roman";">Tam</span></div>
Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com0tag:blogger.com,1999:blog-7725892775056737468.post-21283587131168487372015-05-28T00:01:00.000-04:002015-05-28T00:01:00.046-04:00Authentic Sense Of Place<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span style="color: #3f3f3f;"><span style="font-family: Georgia, Times New Roman, serif;">A recent post in Eco-Notes—Living Shelter Designs’ green
building blog—caught my attention and imagination. Any discussion about ‘sense
of place’ always peaks my interest, as it’s a concept I think about a lot, as a
writer, as an artist and as an urban dweller.<o:p></o:p></span></span></div>
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<span style="color: #3f3f3f; font-family: Georgia, 'Times New Roman', serif;">The thought-provoking article focused on building local in
the Pacific Northwest, but brought up ideas that are relevant no matter where
you live. (Or if you’re a fiction writer, where your characters live!) In the
post, author Kira Connery discusses how building local should strive to help
define this often “ephemeral” sense of place. She says:</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: #343434;"><span style="font-family: Georgia, Times New Roman, serif;">Place is
a challenging term to define – what makes a location an authentic “place,”
rather than just coordinates on a map? What makes some cities, towns and homes
memorable and others forgettable? What impact does “place” have on our
community and individual identities? And how do we uncover a location’s sense
of place? Building professionals and scholars have long debated these questions
amidst ongoing explorations of what makes a space a “place,” and how this sense
of place varies from region to region.<o:p></o:p></span></span></i></div>
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<span style="color: #343434;"><span style="font-family: Georgia, Times New Roman, serif;">She mentions my home town, San Francisco, and says while
many immediately think of Victorians as its defining characteristic, the authentic
character of a place is much more than just architectural style—it is a
constantly evolving relationship between the people who live there and the
landscape that defines their environment. I love that. And know that we San
Franciscans interact daily with the hills, the circumscription of water in
three directions, the tumble of fog advancing and retreating from the horizon.
This to me defines the sense of place where I live as much as the wooden
bay-windowed houses tightly butted up against one another lining the hills in my
neighborhood.<o:p></o:p></span></span></div>
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<span style="color: #343434;"><span style="font-family: Georgia, Times New Roman, serif;">Like many, I am drawn to landscapes with an authentic and
unique sense of place and I feel strangled and even offended by landscapes that
have been striped and replaced by something ugly and generic. Ms. Connery has
something to say about that too:<o:p></o:p></span></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: #343434;"><span style="font-family: Georgia, Times New Roman, serif;">In most
cities and towns, it is easy to find buildings that don’t tell us much about
our communities. Fast-food chains and big-box stores are two common examples of
buildings that owe their appearance to processes far removed from their site
and the community they serve. They are uniformly prescriptive, rather than
uniquely perceptive. These buildings detract from a sense of place not because
they lack a specific style, but because regardless of where they are built,
their appearance and relationship to their surroundings is the same…<o:p></o:p></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: #343434;"><span style="font-family: Georgia, Times New Roman, serif;">Place-making
requires discovery, participation and interaction, not only from building
professionals, but from home owners and community members as well. This process
can shape architecture in a variety of ways: a building may respond to the
history of a region, highlight local cultural or natural resources, showcase
the craft and innovation of local artisans and builders, or celebrate local
materials.<o:p></o:p></span></span></i></div>
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<span style="color: #343434;"><span style="font-family: Georgia, Times New Roman, serif;">This last line acted like a light switch in my writer’s
mind—I’ve copied and saved it to use when I’m revising a story for setting: <o:p></o:p></span></span></div>
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<span style="color: #343434;"><span style="font-family: Georgia, Times New Roman, serif;">“…a building may respond to the history of a region,
highlight local cultural or natural resources, showcase the craft and
innovation of local artisans and builders, or celebrate local materials.” <o:p></o:p></span></span></div>
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<span style="color: #343434;"><span style="font-family: Georgia, Times New Roman, serif;">What a marvelous tool for creating a specific and
distinctive setting. Instead of just living in a ‘house in the suburbs,’ (or
the city, or the country) what if your character lived in a house or a
community that reflected the region, the local culture and/or the indigent
natural resources, prescribed by artisans of the area? It’s a richer, more
layer way to create setting and certainly worth considering, don’t you think?<o:p></o:p></span></span></div>
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<span style="color: #343434;"><span style="font-family: Georgia, Times New Roman, serif;">To read the entire excellent article go to <a href="http://livingshelter.com/2015/05/11/what-does-it-mean-to-build-local/">Living Shelter Designs’ Eco-Notes</a>. Oh, and by the way, Living Shelter is owned by my brilliant
architect sister, Terry Phelan!<o:p></o:p></span></span></div>
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<span style="color: #343434;"><span style="font-family: Georgia, Times New Roman, serif;">I’d love to hear your thoughts on sense of place, whether
in the real world or in your writing…<o:p></o:p></span></span></div>
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<span style="color: #343434;"><span style="font-family: Georgia, Times New Roman, serif;">Take Good Care,<o:p></o:p></span></span></div>
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<span style="color: #343434;"><span style="font-family: Georgia, Times New Roman, serif;">Sharry</span><span style="font-family: Garamond;"><o:p></o:p></span></span></div>
Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com1tag:blogger.com,1999:blog-7725892775056737468.post-5017952901550819672015-05-22T16:01:00.000-04:002015-05-22T16:03:47.588-04:00When Life Imitates Art… or What Tropical Storm Irene Taught Me*<div style="background-color: white; border: 0px; color: #333333; font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; margin-bottom: 15px; outline: 0px; padding: 0px; vertical-align: baseline;">
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I have written many times about my experience of life imitating art with regards to my debut middle grade novel, <em style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Another Kind of Hurricane – </em>how I researched diligently as I wrote and rewrote the story; how I felt like I had done a thorough job of it; how I felt like I had found a deep place of empathy and understanding for Zavion, my main character who lives in New Orleans and who lives through Hurricane Katrina; and how, in one day, everything changed. Tropical Storm Irene swept through my town – and very specifically my block and my house – and I was suddenly and amazingly inside my story.</div>
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<a href="https://emusdebuts.files.wordpress.com/2014/11/another-kind-of-hurricane-cover.jpg" style="border: 0px; color: #333333; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><img alt="Another Kind of Hurricane cover" class=" wp-image-9940 alignleft" height="258" src="https://emusdebuts.files.wordpress.com/2014/11/another-kind-of-hurricane-cover.jpg?w=180&h=258" style="border: 0px; display: inline; float: left; height: auto; margin-bottom: 2px; margin-right: 7px; max-width: 100%;" width="180" /></a>I have also written some about what I learned through that odd, reverse process of the art experience coming before the life experience. First, my two main characters, Henry and Zavion, are strangers when the story begins. They are strangers from two very different places – geographic and internal – and yet the only traces of solace they eventually find are in one another. They become connected and they become friends. This happened to me during Irene too. Important lesson #1, a reinforcing lesson: I got that connection piece right in my book. Second – oh boy – the visceral and emotional experience of living through a flood (and the subsequent recovery from that flood) is intense, to put it mildly. And Katrina was so much more…everything…than Irene. Important lesson #2, a reminding lesson: striving for knowledge and empathy, while accepting that I might not be able to totally get it – is truly the best I can do. Maybe another way to put this is knowledge and empathy and a good dose of humbleness is my best practice when I write anything outside of my direct experience.</div>
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But is there more to it than that? And how does this all fit within the conversation about diversity we’ve all been engaged in? Does it offer anything new or useful to that dialogue?</div>
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Amy Koester, who has a blog called The Show Me Librarian, wrote a <a href="http://showmelibrarian.blogspot.com/2015/02/selection-is-privilege.html">post</a> in February of this year titled <em style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Selection is Privilege. </em>It’s spot on, in my opinion. In it, she talks about the frustration she feels when colleagues take “diverse”** books out of their libraries, or simply don’t buy them for their libraries because they feel they either a) don’t have enough diverse patrons to read those books or b) their non-diverse patrons don’t have any interest in those books. She then said this:</div>
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<em style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">When it comes down to it…selection is a privilege. If you select materials for your readers, you are privileged to get to influence not only what children read, but what they have access to in the first place. And when I read arguments against including diverse titles, or questions about why we have to talk about this topic, it puts into sharp focus for me the fact that we have to recognize our privilege as selectors, and, more than likely, as white selectors for diverse readers.</em></div>
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I feel like this extends to us writers too. Or I’ll only speak for myself – to me as a writer. If I am to have the great fortune of having any sort of influence over kids, then I must recognize my privilege. In an<u><a href="http://www.cbcdiversity.com/post/104421597943/a-conversation-with-tanya-mckinnon"> <span style="font-style: inherit;">interview</span> </a></u>over at CBC Diversity, agent and author Tanya McKinnon cited some neurological research:</div>
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<em style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">“The thing that reduces hate and increases acceptance of diversity is knowledge and rational thought. The more we use our pre-frontal cortex, the seat of rational thought, the more likely we are to reduce hate. That’s why reading about difference, especially at a young age, is so very important. And it’s why racially inclusive children’s books are so crucial for a rational and tolerant society.”</em></div>
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And there it is. If there was ever a reason to use my privilege – as a white, middle class woman, but also simply as a writer fortunate enough to get a book published, really – well, there it is.</div>
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<a href="https://emusdebuts.files.wordpress.com/2015/05/2fc1a6cfeb4ae32d490fa64b7a89f021.jpg" style="border: 0px; clear: right; color: #333333; float: right; font-style: inherit; margin-bottom: 1em; margin-left: 1em; margin-top: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><img alt="2fc1a6cfeb4ae32d490fa64b7a89f021" class=" wp-image-11118" height="228" src="https://emusdebuts.files.wordpress.com/2015/05/2fc1a6cfeb4ae32d490fa64b7a89f021.jpg?w=165&h=228" style="border: 0px none; height: auto; margin: 0px; max-width: 98%; padding: 0px;" width="165" /></a><br />
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<a href="https://www.etsy.com/listing/96226051/the-magic-door-paris-illustration-art?utm_source=OpenGraph&utm_medium=PageTools&utm_campaign=Share" style="border: 0px; color: #333333; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Tubidu Graphics</a> on Etsy</div>
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To offer a door or a mirror for the child reading my book.</div>
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So how do we writers do this with integrity?</div>
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By finding the places where we are the same as our characters, and finding the places where we are not. By connecting to our characters where that sameness resides (and connecting our characters to each other in a similar way), and by trusting ourselves to hold an empty space inside that we work to fill by listening and researching and being curious (and allowing our characters to have similar empty spaces inside for the same kind of journey.)</div>
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We need to know the borders we are choosing to cross as we make those journeys. The process of that knowledge is fluid and constant. The more we are curious, the more open we are, the more we venture into places that are not our own, the more we integrate all of that into ourselves. We need to integrate, but at the same time keep things distinct. It is a dance of sorts. Am I more suited to tell a story about flood victims because I have experienced a flood? Yes. Am I still a middle class woman who could borrow money from my family when I lost so much in that flood? Yes. Did many of the flood victims in New Orleans not have that privilege? Yes. There is part of that dance right here.***</div>
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If I am taking those journeys, then I know it is possible to take them, you know? And thus I am creating the opportunity for kids (my readers) to take their own, perhaps similar, journeys.That means everything to me.</div>
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<a href="https://emusdebuts.files.wordpress.com/2015/05/richmond-300.jpg" style="border: 0px; clear: left; color: #333333; float: left; font-style: inherit; margin-bottom: 1em; margin-right: 1em; margin-top: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><img alt="One of my favorite photos from Irene, taken by Jared Katz. Talk about a journey..." class="size-full wp-image-11119" src="https://emusdebuts.files.wordpress.com/2015/05/richmond-300.jpg?w=500" style="border: 0px none; height: auto; margin: 0px; max-width: 98%; padding: 0px;" /></a><br />
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One of my favorite photos from Irene, taken by Jared Katz. Talk about a journey…</div>
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Back to <em style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Another Kind of Hurricane</em>, and Zavion and Henry, and my experience with Tropical Storm Irene: it was all an accidental gift; a humble journey of finding connection despite (and alongside of) differences. Is there a way to consciously leave space inside of ourselves for those kinds of gifts? Is there a way of holding tight, as we write, to the threads that connect us all? Because those are gifts too.</div>
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I don’t know if this adds anything new to the diversity conversation. But I do know it’s something I want to continue to explore. What do you think about it all?</div>
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* * * * *</div>
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*Originally from my <a href="https://emusdebuts.wordpress.com/2015/05/14/when-life-imitates-art-or-what-tropical-storm-irene-taught-me/">post</a> over at Emus Debuts.<br />
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**I am only going to use quotes around <em style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">diverse</em> once. But I want to use them a lot! It is such a loaded word. Take it to mean many things – racial, social, gender-based, ability-based differences; also differences in experiences and environments and many other things as well.</div>
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***This is a riff off of a great <a href="http://www.cbcdiversity.com/post/61756775110/is-the-race-card-old-school">essay </a>that Mitali Perkins wrote over at CBC Diversity.</div>
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<br /></div>
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* * * * *</div>
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Gratefully yours,</div>
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Tam</div>
Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com0tag:blogger.com,1999:blog-7725892775056737468.post-21198960131136072662015-05-14T00:01:00.000-04:002015-05-14T00:01:00.428-04:00Revisiting The Geology of the Urban Landscape (4/11/13)<!--[if gte mso 9]><xml>
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I have
been reading Alexandra Horowitz's ON LOOKING, ELEVEN WALKS WITH EXPERT EYES<span style="font-family: "Arial Unicode MS"; mso-ascii-font-family: Helvetica; mso-bidi-font-family: "Times New Roman";">—</span>her account of walking through familiar territory with
someone who has the studied ability to see what is usually passed by,
unnoticed. <o:p></o:p></div>
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<br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKhf6l2_s7rYez63sO-u97isXhpdVNuSOhmQuC__ui6Pmrw2q0dpHZBrI85Dxo8A3xJkjEqfUnThbUt0hY5ZnxnEduLAzKHkfJ2KMjn_aps9Ixzt5PU6DvsCRMoMlGDLh0dEgN8_4mmvJ5/s1600/On-Looking-jacket-lores.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKhf6l2_s7rYez63sO-u97isXhpdVNuSOhmQuC__ui6Pmrw2q0dpHZBrI85Dxo8A3xJkjEqfUnThbUt0hY5ZnxnEduLAzKHkfJ2KMjn_aps9Ixzt5PU6DvsCRMoMlGDLh0dEgN8_4mmvJ5/s200/On-Looking-jacket-lores.jpg" width="135" /></a><o:p> </o:p></div>
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<o:p><br /></o:p></div>
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In one of
the first chapters, she takes a walk in her own Manhattan neighborhood with
geologist Sidney Horenstein who spent forty years working for the American
Museum of Natural History coordinating environmental outings. What she learns
on this walk radically changed the way I've been looking and thinking about my
own urban San Francisco neighborhood. Up until recently, I thought of the city,
with all of its man-made structures and miles of asphalt, as, well, not exactly
natural. But listen to what Horenstein has to say about that<span style="font-family: "Arial Unicode MS"; mso-ascii-font-family: Helvetica; mso-bidi-font-family: "Times New Roman";">—</span><o:p></o:p></div>
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"<span style="font-family: "Arial Unicode MS"; mso-ascii-font-family: Helvetica; mso-bidi-font-family: "Times New Roman";">…</span>there are only two things on earth: minerals and biomass
[plants and animals]. Everything that we have got here has to be natural to
begin with<span style="font-family: "Arial Unicode MS"; mso-ascii-font-family: Helvetica; mso-bidi-font-family: "Times New Roman";">—</span>so asphalt is one of those
things."<o:p></o:p></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5iC81COSARHS4o_1twc8gJmyfL4JezZhP2cMub56bM_8dwfvPDLZER0nTwoQcIEEMD3bOz86bk1Ci-Dd_yyoxiT4IZ7x8fJzybaIU_NAD2cFHWHnlzU-I85sqXgTD_yGs7CL2lUvsMGUx/s1600/390a233a0b7bfe7cbb9c3ceec481fe6f.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5iC81COSARHS4o_1twc8gJmyfL4JezZhP2cMub56bM_8dwfvPDLZER0nTwoQcIEEMD3bOz86bk1Ci-Dd_yyoxiT4IZ7x8fJzybaIU_NAD2cFHWHnlzU-I85sqXgTD_yGs7CL2lUvsMGUx/s320/390a233a0b7bfe7cbb9c3ceec481fe6f.jpg" width="320" /></a></div>
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It<span style="font-family: "Arial Unicode MS"; mso-ascii-font-family: Helvetica; mso-bidi-font-family: "Times New Roman";">’</span>s just rocks, sand, and 'sticky stuff,' essentially pure
and even recycled. <o:p></o:p></div>
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<br /></div>
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All
right. That's good to know. In fact, it makes me happy knowing that.<o:p></o:p></div>
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<br /></div>
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<br /></div>
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The
author goes on to talk about how the geology of a place is not just what is
under us, but also what surrounds us: how we are actually "inside the
geology of the city." That each stone, cement, composite, or brick
building is really a big rocky outcropping, each patch of green a grassy plain
with scattered trees. She reminds us that each building began with naturally
occurring materials-- either forged of stone or hewed from a once living tree<span style="font-family: "Arial Unicode MS"; mso-ascii-font-family: Helvetica; mso-bidi-font-family: "Times New Roman";">—</span>that has been merely recombined into something for our
needs and purposes.<o:p></o:p></div>
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I love
that concept.<o:p></o:p></div>
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<br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3T5pkc_KxdBTZGkb0QPmPlCO47UpWUgWw679xi7AjzN7vecZdKzJiW6QQE4WYE_D3GF_anSWsfNtOyvMifhBwZprz_ib-qTbDny_9AQmh1mC-vxf4p5fv399G0K8zh-h1UTiV6KjH4kn_/s1600/350px-Nob_hill_view.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3T5pkc_KxdBTZGkb0QPmPlCO47UpWUgWw679xi7AjzN7vecZdKzJiW6QQE4WYE_D3GF_anSWsfNtOyvMifhBwZprz_ib-qTbDny_9AQmh1mC-vxf4p5fv399G0K8zh-h1UTiV6KjH4kn_/s320/350px-Nob_hill_view.jpg" width="320" /></a></div>
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I love
the idea that the city is a natural composite of trees and stone<span style="font-family: "Arial Unicode MS"; mso-ascii-font-family: Helvetica; mso-bidi-font-family: "Times New Roman";">—</span>the buildings take in water, are warmed by the sun, are
slowly carved away by the steady force of wind, the slough of water and the
passing of time. Nature, it seems, sculpts the city just as it does the side of
a mountain. In the city, moss covers stone, ivy breaks away brick, sun and rain
and snow transforms the color and texture of wood.<o:p></o:p></div>
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<br /></div>
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<br /></div>
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<br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnSBxbQSw6pC_pWTqIqGf0rFt1k8c11_ZdXBdnz6gzoARMxUevYyTBGnMQ54me5Ttf6vapb1PRHBsHfOVyhuC4HdbIfP3d4bBRg_t7vfWMsITVnlNQaLDx_xMC_0jxmn1ZDLmIlEO3MvMu/s1600/Image.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnSBxbQSw6pC_pWTqIqGf0rFt1k8c11_ZdXBdnz6gzoARMxUevYyTBGnMQ54me5Ttf6vapb1PRHBsHfOVyhuC4HdbIfP3d4bBRg_t7vfWMsITVnlNQaLDx_xMC_0jxmn1ZDLmIlEO3MvMu/s200/Image.jpg" width="150" /></a></div>
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My own
neighborhood, Russian Hill, is built on a bed of graywackle (a kind of
sandstone) and shale with erupted trappean rocks (basalt, greenstone,
amygdaloid and dolomite) and serpentine. My house, built out of redwood, sits
on a high outcropping of serpentine, which holds it upright when the San
Andreas fault slips and the earth shakes.<o:p></o:p></div>
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<br /></div>
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<o:p><br /></o:p></div>
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I have
always loved picking up stones as I wander. I often have a pocket full if them,
and when asked what someone can bring me from their travels, I always request a
stone. To me, somehow, each holds the essence of place. I have a stone from the
Egyptian desert, one from a small village in India, some from Chile, Peru, and
Bolivia, from a number of beaches in Mexico and California, from the Raging River
in Issaquah, Deer Lake in Eastern Washington, Flathead Lake and Glacier Park in
Montana. Just to name a few. My house is full of stones<span style="font-family: "Arial Unicode MS"; mso-ascii-font-family: Helvetica; mso-bidi-font-family: "Times New Roman";">—</span>they sit on shelves, keep doors open and grind herbs.<o:p></o:p></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwjSzPoV8sWMPB1gMO7vgY1ZbWRN-T9pzzReN58QDYOxts1aPza8kkD_3tzre5EyfdGj3xHEhGvAsA76qZF5WDFeXVGMUgy_fOYutUzn_oYOQfZjIdvD8e8lbSmOPOmIoyBPnqF8GOHp8A/s1600/Image+2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwjSzPoV8sWMPB1gMO7vgY1ZbWRN-T9pzzReN58QDYOxts1aPza8kkD_3tzre5EyfdGj3xHEhGvAsA76qZF5WDFeXVGMUgy_fOYutUzn_oYOQfZjIdvD8e8lbSmOPOmIoyBPnqF8GOHp8A/s200/Image+2.jpg" width="200" /></a></div>
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I was in
Portland a few years ago visiting colleges with my youngest daughter. I picked
up the purse I'd been carrying for a week and complained that it was so heavy,
it felt like it was full of rocks. (thinking it was probably just a lot of
loose change). When I dug into the bottom to clean out the coins, guess what I
found? A half a dozen egg-sized rocks I'd picked up on a walk in Spokane the
week before! I transferred them from my
purse to my suitcase and felt much lighter for it. Until I found the perfect
stone on the Reed campus...</div>
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<o:p></o:p></div>
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<br /></div>
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So what
does this have to do with writing? Hmmm<span style="font-family: "Arial Unicode MS"; mso-ascii-font-family: Helvetica; mso-bidi-font-family: "Times New Roman";">…</span>Let<span style="font-family: "Arial Unicode MS"; mso-ascii-font-family: Helvetica; mso-bidi-font-family: "Times New Roman";">’</span>s go back to asphalt<span style="font-family: "Arial Unicode MS"; mso-ascii-font-family: Helvetica; mso-bidi-font-family: "Times New Roman";">—</span>recycled stones, sand and
sticky stuff. The essence of place, the passing of time and the sticky stuff of
human emotions<span style="font-family: "Arial Unicode MS"; mso-ascii-font-family: Helvetica; mso-bidi-font-family: "Times New Roman";">—</span>that sounds a lot like the basics
of a novel to me.<o:p></o:p></div>
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<br /></div>
<div class="Body1">
Take Good
Care,<o:p></o:p></div>
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Sharry<span style="color: windowtext; font-family: "Times New Roman"; font-size: 10.0pt; mso-ansi-language: #0400; mso-bidi-language: X-NONE; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: #0400;"><o:p></o:p></span></div>
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<!--EndFragment-->Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com2tag:blogger.com,1999:blog-7725892775056737468.post-42835737632494679902015-05-07T12:27:00.000-04:002015-05-07T12:27:04.088-04:00Repost: The Landscape of Space<br />
Yes, this is a repost. But it is timely because I am smack in the middle of the process of trusting the reader yet again. And the more I think about it, the more I realize that I am almost ALWAYS in the middle of that process. And not just with my readers. With my family, with my friends, with my editor, with my agent, with the booksellers who will (maybe) stock my book, with reviewers… it is so critical to remember that we are only half (and sometimes less than half) of the whole. And that we need to make space---offer it gracefully---for others to add their energy and beliefs and effort into the equation. <br />
<br />
That's when magic happens.<br />
<br />
<div style="text-align: center;">
* * * * </div>
<br />
I love this quote. And I believe it deeply:<br />
<br />
<i>A writer only begins a book. A reader finishes it.</i><br />
<br />
Samuel Johnson is credited with saying that.<span style="background-color: white; font-family: Georgia, Times, serif; font-size: 14px; line-height: 21px; text-align: -webkit-right;"> </span>Here is another way to put it:<br />
<span style="background-color: white; font-family: Georgia, Times, serif; font-size: 14px; line-height: 21px; text-align: -webkit-right;"><br /></span>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkLucFmfQEVvXjVNUUyUNW2nWalCnroOtVbkoUmBDhfISURH2u9HJR7G_hrzoimqEzrwBt3an4BBkzrDPMKQjyK24xy6M8vJEypgnRu8OFKHjAu9FjE3krCoGZYezG4LIVOrL2uowjyXz6/s1600/969976_10151516605023212_1688057444_n.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkLucFmfQEVvXjVNUUyUNW2nWalCnroOtVbkoUmBDhfISURH2u9HJR7G_hrzoimqEzrwBt3an4BBkzrDPMKQjyK24xy6M8vJEypgnRu8OFKHjAu9FjE3krCoGZYezG4LIVOrL2uowjyXz6/s320/969976_10151516605023212_1688057444_n.png" width="276" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 13px;">From BookBrowse's <a href="https://www.facebook.com/bookbrowse">FB page</a></td></tr>
</tbody></table>
Right? Have you ever done that? I literally have. Or have you ever felt that? Felt like your book is so much a living breathing thing that you want to hold it, hug it, take its hand and walk to the park with it? I have felt that. Over and over again.<br />
<div>
<br /></div>
<div>
How does a writer create the kind of book that asks for that kind of engagement? I have been thinking endlessly about this as I have revised my last WIP. My last blog post delves into this too. The answer lies, in large part, with the space we writers have to leave...in the story and on the page. I have preached this for years. Ask my friends. I have been obsessed with it. The partnership between the reader and the writer. Louise Rosenblatt's <a href="http://www.vccaedu.org/inquiry/inquiry-spring97/i11chur.html">Reader Response Theory</a>. (The reader is a necessary part of completing the book.) Scooting over on the bench to make room for the reader. All that and more. But it has been tough to put my pen where my mouth is. </div>
<div>
<br /></div>
<div>
I made a break though though this time around. Part of what made it possible was that I had been away from the text for a while. (Give your self space from your WIP in order to make space for the reader!) I was ruthless about cutting. Not just excess adjectives or favorite phrases, but whole ideas. I took myself out of the manuscript and left the characters there to fend without me. I trusted---for the first time---that the reader would be there to take care of them. My characters.<b> </b></div>
<div>
<b><br /></b></div>
<div>
<b>I created space, and in creating space I created trust. </b></div>
<div>
<b><br /></b></div>
<div>
Or as Chuck Wendig <a href="http://terribleminds.com/ramble/2011/06/20/25-things-you-should-know-about-writing-a-novel/">says</a>, as only he can say it:</div>
<div>
<br /></div>
<div>
<i>The reader wants to work. The reader doesn't know this, of course, so don't tell him. SHHH. But the reader wants to fill in the details. He wants to be invested in the novel and to make his own decisions and reach his own conclusions. You don't need to write everything. You can leave pieces (of plot, description, dialogue) out. The reader will get in the game. His imagination matters as much as yours. Make that f#$%&@ dance for his dinner.</i></div>
<div>
<br /></div>
<div>
I am going to continue to ponder this. And work on it. I would love to hear your ideas about it too. </div>
<div>
<br /></div>
<div>
Gratefully yours (and apologies for posting a week late! But it was worth it to spend more time with Megan Morrison's wonderful <a href="http://smithwright.blogspot.com/2015/04/interview-with-megan-morrison-and.html">interview</a> about her debut GROUNDED!)</div>
<div>
Tam </div>
<div>
<br /></div>
<div>
<br /></div>
Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com1tag:blogger.com,1999:blog-7725892775056737468.post-70467583979474784532015-04-23T06:00:00.000-04:002015-04-23T06:00:10.270-04:00Interview with Megan Morrison and Kristin Brown about GROUNDED: THE ADVENTURES OF RAPUNZEL<div class="MsoNormalCxSpFirst" style="background: white; mso-add-space: auto; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;"><span style="color: purple;">Tam:</span></span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;"><span style="color: purple;"> Hi Megan and
Kristin!<span style="mso-spacerun: yes;"> </span>Thank you for joining us here
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about the novel, which is the first in a series: Rapunzel knows only her
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below. But when a peasant named Jack climbs into her life, Rapunzel learns that
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<span style="font-family: "Times New Roman"; font-size: 14.0pt;"><span style="color: purple;">And with that, I'm eager to just dive right in
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<span style="color: purple;"><span style="font-family: 'Times New Roman'; font-size: 14pt;">GROUNDED<i> </i></span><span style="font-family: "Times New Roman"; font-size: 14.0pt;">is set in a fantasy world, but is its
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;"><span style="color: purple;">Megan:</span></span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;"><span style="color: purple;"> There’s a lot of North
America in this landscape. Weather patterns tend to follow what one might
expect in the United States, in particular. However, it’s a magical landscape,
so when we want it to deviate from the real world, it can!</span><o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifPuAFIXVN5kf6hoI8mZnFaM9eMWyVq3zEdy2oddOtIJ0gcREkFAzHRIfUJ81GymDX1w11A3reY7d8dhBXNlyB_eGa10VD2kwi-W0Y-YzvgF9SHOllCpTjIW_fy9vfrUTAos-hEoQUEt7S/s1600/Image+5.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifPuAFIXVN5kf6hoI8mZnFaM9eMWyVq3zEdy2oddOtIJ0gcREkFAzHRIfUJ81GymDX1w11A3reY7d8dhBXNlyB_eGa10VD2kwi-W0Y-YzvgF9SHOllCpTjIW_fy9vfrUTAos-hEoQUEt7S/s1600/Image+5.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Perhaps the Limestone River?</td></tr>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">Kristin:</span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";"> As I'd never
tried to map a world created entirely by someone else before, it made the
development a little easier for me if I tried to relate Tyme to places in our
world. The Limestone River on the southern boundary of Orange meanders a bit
like the lower Mississippi, and Yellow reminds me a lot of the American
Breadbasket. Megan's description of the Lilac Lakes seemed very Scottish
Highlands and so the lakes turned out quite loch-like on the map, and that
large island off the coast of the Blue Kingdom is based on a tidal island I
visited in Orkney. <o:p></o:p></span></span></div>
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<br /></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">Tam: </span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">So <i style="mso-bidi-font-style: normal;">very </i>cool to see Tyme through your eyes,
Kristin, and to be able to imagine those real places…you bring this fantasy
world to life in this way.<o:p></o:p></span></span></div>
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<br /></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">Kristin: </span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">I also
really like the idea of "plausible geography"—<o:p></o:p></span></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";"><span style="color: purple;">Tam: </span></span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";"><span style="color: purple;">What is that?</span><o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5qj1d4j6eor4gLzPxIPrVCezARfoRDirEsUZUY5rAHTSmEYQGZHp-NMgnVnQx2TW2NYjp8Y57G7nFozbd_lY64OH2aRCX7TKVJKRbUosPNYXN7Nrz9SmnkrywG659FN-xU0uQwJt80vdN/s1600/Image+8.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5qj1d4j6eor4gLzPxIPrVCezARfoRDirEsUZUY5rAHTSmEYQGZHp-NMgnVnQx2TW2NYjp8Y57G7nFozbd_lY64OH2aRCX7TKVJKRbUosPNYXN7Nrz9SmnkrywG659FN-xU0uQwJt80vdN/s1600/Image+8.jpg" height="200" width="133" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Scottish Highlands-like?</td></tr>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">Kristin: —</span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">a
realistic geographic explanation behind the magical landscapes. And Megan, who
could have just have easily said "well, it's magic, so it just is" was
totally up for this. So in places (many of which you won't learn about until
later stories), where there's a—"magical barrier" might be the right
term—I tried to think of places in our world that might be similar. For
instance, the very high mountains to the north, in Pink—at the time I was
working on the map, National Geographic had an article on the Hindu Kush
mountains of Afghanistan, and how remote and difficult the terrain is. I
mentioned this to Megan, and as it turns out, she'd also thought of Afghanistan as
a possible comparison. So while Pink doesn't equal Afghanistan, the
landscape is somewhat Afghanistan, but magnified. <o:p></o:p></span></span></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Tam: </span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;">How did you both go
about world-building for <i>Grounded? </i>Particularly, how did you
build the landscape?<o:p></o:p></span></span></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Megan:</span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;"> World-building has been
a long, organic process of over a decade (and it isn’t finished yet).
Politically and in terms of plot, I’ve built the world of Tyme with my friend
Ruth Virkus, who is the co-creator of the series. Whenever I ran across a
geography question, however, I called Kristin for help. Kristin is the sort of
person who very thoughtfully answers any question that is put to her, so I
always got more than I expected. I’d ask “Could there be a river here?” and she
would send back rich, detailed answers and a list of accompanying questions
that touched on things I’d never considered. Suddenly there were tributaries,
bays, lakes… There are many places in Tyme that never would have been invented
if Kristin hadn’t suggested them.<o:p></o:p></span></span></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Tam: </span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;">The best, most surprising
stuff comes from collaborating!<o:p></o:p></span></span></div>
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<br /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlpMplX-PcsSQfQBMrayHtoWA0Q9C-szSbRfgvGpcZG07g9IFSdG9HHzT3b-MIOfV5xuXEGs2uTJadQG247OFFyhfPJGFiQ4svYQY0JreS75sVS27Gcsi-yGRrYc9peKew6229qlJPxsgW/s1600/Image+6.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlpMplX-PcsSQfQBMrayHtoWA0Q9C-szSbRfgvGpcZG07g9IFSdG9HHzT3b-MIOfV5xuXEGs2uTJadQG247OFFyhfPJGFiQ4svYQY0JreS75sVS27Gcsi-yGRrYc9peKew6229qlJPxsgW/s1600/Image+6.jpg" height="320" width="213" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Somewhere off in Pink?</td></tr>
</tbody></table>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">Kristin:</span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";"> Yes, of everyone
I know, Megan is, perhaps, the most willing to play the game of "what
if?" She mentioned earlier that Tyme is a magical landscape, and it would
have been very easy, as I mentioned earlier, for her to say "well, it's
this way because it's magic and it just is and I don't care if it means this
doesn't make geographic sense," but she was so willing to indulge every
question. She and Ruth had already put so much thought into Tyme and its
countries that I could ask questions like "<i style="mso-bidi-font-style: normal;">Okay, if Blue is the fashion center of Tyme, where do they get the raw
materials from and how do they transport them</i>?" because that matters
with regard to the landscape—and she either immediately knew the answer, or
could confer with Ruth and have the answer within a day or two. While having
this kind of knowledge made the mapping more complicated, it was also a lot of
fun to discuss with Megan! <o:p></o:p></span></span></div>
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<br /></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">Tam: </span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">It truly sounds
like it was loads of fun!<i style="mso-bidi-font-style: normal;"> </i></span><span style="font-family: "Times New Roman"; font-size: 14.0pt;">How exactly did you
create the map for the world of <i>Grounded, </i>Kristin?<o:p></o:p></span></span></div>
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<br /></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">Kristin:</span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";"> The map evolved
over a long period of time as a series of sketches. Once it was close to being
what Megan and Ruth envisioned, I broke it down into layers (country
boundaries, streams, cities, villages, etc) and put it into Illustrator—I'm a geographer
by profession, and a GIS-approach seemed the most natural thing to do. This
also made it easy to "hide" geography that Megan wasn't ready to
reveal with the first book. <o:p></o:p></span></span></div>
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<span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";"><span style="color: purple;">The
design side of the map was more challenging. Luckily, my painting mentor and
friend, portrait artist Edward J Reed, also has a great interest in fantasy
cartography, and he offered to sit down with me and discuss options. My goal
was to provide a clean, workable map for the publisher to pass on to the book
illustrator, and so I was hugely honored when they inquired about using my map
directly. <o:p></o:p></span></span></div>
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicXIp5C9Ldg0UHcBZgXA5cUfMXuZegG2ikKilUP8AhwhJcWZPyoN32IZpPAUMDK4qy1uUy0nTKDyjmROv2Bq-jHDugeltDzaw4xpV_GiJqMrKwhkP41qIJ8L1ZWD6mudVB8L0YM2Lnfw1x/s1600/Image.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicXIp5C9Ldg0UHcBZgXA5cUfMXuZegG2ikKilUP8AhwhJcWZPyoN32IZpPAUMDK4qy1uUy0nTKDyjmROv2Bq-jHDugeltDzaw4xpV_GiJqMrKwhkP41qIJ8L1ZWD6mudVB8L0YM2Lnfw1x/s1600/Image.jpg" height="200" width="193" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cat Collaborator!</td></tr>
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<span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";"><span style="color: purple;">I
should also credit my cat, who very helpfully crinkled the paper I used as a
background texture.<o:p></o:p></span></span></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">Tam: </span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">Ha! Another
collaborator! </span><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Okay,
so can you talk a little about the landscape of Rapunzel's tower and her view
from it?<o:p></o:p></span></span></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Megan:</span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;"> Rapunzel lives in the
deep south of Tyme, in the southern Redlands, on the border of Grey. <o:p></o:p></span></span></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Tam: </span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;">I have to interrupt and tell
you that I love the color-names for so many things in Tyme, Megan. They are
very evocative, of course, and just make me want to visit these places that I
can see in this rainbow of hues—<o:p></o:p></span></span></div>
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<br /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAxXfHYTQASBjH-qirp-yFxDiK8ac0v0MnThcfro3O69h0haW_zDT_12p4kAF8m-30xK7PdSRlGlWg9mLXiN6BicVfiX1lrm1VccOsqoayYrsTwo-wvxfzQK-DAm81-oxKqXqmAmls-c1Q/s1600/Image+4.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAxXfHYTQASBjH-qirp-yFxDiK8ac0v0MnThcfro3O69h0haW_zDT_12p4kAF8m-30xK7PdSRlGlWg9mLXiN6BicVfiX1lrm1VccOsqoayYrsTwo-wvxfzQK-DAm81-oxKqXqmAmls-c1Q/s1600/Image+4.jpg" height="200" width="133" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Swamp-ish?!</td></tr>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Megan: </span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Go a little further
south, and you’ll vanish into the Impassable Swamps. The region is humid and
forested, and the trees are exceptionally tall. Mostly, apart from the red dirt
clearing that surrounds her tower, all Rapunzel can see is trees. At night, she
can see the moon and the violet stars.<o:p></o:p></span></span></div>
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<br /></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">Kristin: </span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman";">A long
time ago, I visited the Joyce Kilmer Memorial Forest in North Carolina—it's one
of the only old-growth forests left in the US. You walk out into it, and you're
surrounded by trees that are 100 feet tall, and just massive around. It's a
very humbling place to be. The Redlands always makes me think of that.<o:p></o:p></span></span></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Tam: </span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Oh, see, so I can
totally envision that!<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></span></div>
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<span style="background: white; font-family: "Times New Roman"; font-size: 14.0pt;"><span style="color: purple;">For me, in my own writing, I approach landscape almost as a
character. What do you think of that idea? And if you have any beliefs or
thoughts around it, can you explain that a bit here? Why is this
so? How do you manifest this belief in your work?<o:p></o:p></span></span></div>
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<br /></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Megan:</span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;"> Before building Tyme,
I’m not sure how I would have answered this question, but this landscape is
definitely a character. It’s very much alive. Creating this world and all its
features has been an enormous process, and every decision has been deliberate.
I remember that when I first sat down to draft <i style="mso-bidi-font-style: normal;">Grounded</i>, I was daunted by the lack of ready landscape. Every time
I wanted Rapunzel to go somewhere or do something, I had to stop writing,
because as it turns out, it’s pretty much impossible to move a character around
in a world that has no shape, no landmarks. Just like it’s hard to write a
character who has no clear center of gravity, no quirks. These things take
time, and lots of drafting. <o:p></o:p></span></span></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="background: white; font-family: "Times New Roman"; font-size: 14.0pt;">Tam: </span></b><span style="background: white; font-family: "Times New Roman"; font-size: 14.0pt;">True. Do
you have a personal relationship to the landscape you created, Megan? <o:p></o:p></span></span></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Megan:</span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;"> It’s very personal. I
can close my eyes and be in Tyme. The details are clear. There are so many
beautiful places there. I wish I could physically visit them. <o:p></o:p></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCxgvftKxcoXcYEO-kvfZqTL_CA9dm3MjKWrTCs6fHc-tOmAOJKZUDpbrbZNheDdceai9mhb0J-QEwHlZ1HOlrEe_AUY7xeVs5xT9eBTy1FLF7q-KBuhb0hj3QCQ5KsUNr_cbz2GOrUnNS/s1600/Image+7.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCxgvftKxcoXcYEO-kvfZqTL_CA9dm3MjKWrTCs6fHc-tOmAOJKZUDpbrbZNheDdceai9mhb0J-QEwHlZ1HOlrEe_AUY7xeVs5xT9eBTy1FLF7q-KBuhb0hj3QCQ5KsUNr_cbz2GOrUnNS/s1600/Image+7.jpg" height="240" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">What stories are here?</td></tr>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Tam: </span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;">What do you think about
the idea that landscape holds stories? The way a piece of land is, for
instance, shaped over time (like where I live in Vermont, for example, morphed
from sheep pasture to forest) and what that means for the people (characters) walking
and breathing within it. Life happens over and over again on the same piece of
land. Do those life stories get told? Or are they felt? So in the
case of <i>Grounded, </i>does the landscape hold stories of
Rapunzel's past? Or of a time before her, even? Did you think of what had
happened historically in each place you mapped?<o:p></o:p></span></span></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Megan: </span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Oh yes. I can’t answer
this in detail, because mysteries would be revealed. But, for example, many
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: 'Times New Roman'; font-size: 14pt;">Kristin:</span></b><span style="font-family: 'Times New Roman'; font-size: 14pt;"> Have you ever watched the BBC series, <a href="http://www.pbs.org/time-team/home/">Time Team</a>? <o:p></o:p></span></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: 'Times New Roman'; font-size: 14pt;"><span style="color: purple;">Tam: </span></span></b><span style="font-family: 'Times New Roman'; font-size: 14pt;"><span style="color: purple;">No—</span><span style="color: #222222;"><o:p></o:p></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhJZ0sPwTEhK59kXqQVIwUgIrTUwAftENUb4i7esnjWscKUrNxdgppTBNOjnfD_1tTLxVn8Qf1SPZ5xDX7vppeFdk8a3f67YppFXe5kzUBuU3sJl2OclZN7_CiFzeJu_WjMmGhQzfFyCC-/s1600/Image+12.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhJZ0sPwTEhK59kXqQVIwUgIrTUwAftENUb4i7esnjWscKUrNxdgppTBNOjnfD_1tTLxVn8Qf1SPZ5xDX7vppeFdk8a3f67YppFXe5kzUBuU3sJl2OclZN7_CiFzeJu_WjMmGhQzfFyCC-/s1600/Image+12.jpg" height="320" width="240" /></a></td></tr>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: 'Times New Roman'; font-size: 14pt;">Kristin: </span></b><span style="font-family: 'Times New Roman'; font-size: 14pt;">It's about a group of archaeologists and historians who visit
sites all over the Great Britain and Northern Ireland, to tell the story of
what happened in a place after just three days of investigation. They'll go
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: 'Times New Roman'; font-size: 14pt;">Tam: </span></b><span style="font-family: 'Times New Roman'; font-size: 14pt;">I'm definitely going to watch it now. Wow. That's just what I'm
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Tam: </span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Finally, I am curious
about your take on the relationship between landscape and home. Do you think
landscape helps create home? Do you believe our inner landscape and our
outer (environmental) one must be in synch? I ask this of all of my
interviewees, and I know that it might be slightly off-kilter to ask about a
fantasy world, but then again, maybe not…I really am so interested in this
idea…what do you think?<o:p></o:p></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh46XuOyEtEg9_qAxGmh_huRTq9gdhLBr4_Jamya1juDgx8xsG_VL1gtUQp791ZhkIvlSNQ0Uw-P5sglXACZdnab5GU1jAO-YjZ8581uigISg6fmHPkL5CgNcXj3Ov419Ez5qoYAwKIOy-o/s1600/Image+10.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh46XuOyEtEg9_qAxGmh_huRTq9gdhLBr4_Jamya1juDgx8xsG_VL1gtUQp791ZhkIvlSNQ0Uw-P5sglXACZdnab5GU1jAO-YjZ8581uigISg6fmHPkL5CgNcXj3Ov419Ez5qoYAwKIOy-o/s1600/Image+10.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Megan's old tossing grounds!</td></tr>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Megan: </span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;">I was just reading </span><span style="font-size: 14.0pt;"><a href="http://www.salon.com/2013/10/07/linda_ronstadt_there_are_always_predators_around_and_you_have_to_keep_an_eye_out_for_them/"><span style="font-family: "Times New Roman";">an interview with Linda Ronstadt</span></a></span><span style="font-family: "Times New Roman"; font-size: 14.0pt;">, and she said, “When
you’re desert born, you love the desert.” She talked about feeling nervous when
surrounded by too many trees. I’m the opposite: too much flat land makes me
feel exposed. I live in the Pacific Northwest, in the Seattle area, which is
cradled by mountain ranges. Tall trees and high peaks make me feel right with
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<span style="font-family: "Times New Roman"; font-size: 14.0pt;"><span style="color: purple;">As far as Rapunzel is concerned, as she
changes, she realizes things about the environment she grew up in. That happens
to all of us, I think. We grow up, we look back, we question the “landscape” of
our childhoods. <o:p></o:p></span></span></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Tam: </span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Oh yes!<o:p></o:p></span></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;"><span style="color: purple;">Megan: </span></span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;"><span style="color: purple;">It’s a natural process,
but it’s painful. It’s bittersweet. I think back on the childhood bedroom I
shared with my sister and there’s a part of me that would love to crawl back in
there and hide from my adult responsibilities. But I wouldn’t fit there
anymore, mentally or emotionally. That’s part of life: finding the landscapes
where we fit, and moving on when the time comes. </span><o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwY-s2YTOQHqBYvr5tx8ddgpK1xdIqEOvFqBRwG95A6E8J3KuUZc4N7cOuk3xZpEzOB8ip67zRn2a00mXJBEQHwS4_O2VpwguVmsZun9HfV4AKMTxbSBXOuqRuX6Hif0L_P3zyzpGdigpa/s1600/Image+2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwY-s2YTOQHqBYvr5tx8ddgpK1xdIqEOvFqBRwG95A6E8J3KuUZc4N7cOuk3xZpEzOB8ip67zRn2a00mXJBEQHwS4_O2VpwguVmsZun9HfV4AKMTxbSBXOuqRuX6Hif0L_P3zyzpGdigpa/s1600/Image+2.jpg" height="152" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Do you fit in this landscape?</td></tr>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;"><span style="color: purple;">Tam: </span></span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;"><span style="color: purple;">And you, Kristin?</span><o:p></o:p></span></div>
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<tr><td class="tr-caption" style="text-align: center;">Or this one?</td></tr>
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<span style="color: purple;"><b><span style="font-family: 'Times New Roman'; font-size: 14pt;">Kristin:</span></b><span style="font-family: 'Times New Roman'; font-size: 14pt;"> </span></span><span style="font-family: 'Times New Roman'; font-size: 14pt;"><span style="color: purple;">I've spent a lot of time thinking about this myself. I left
where I grew up in Western Kentucky to find a living in Northern Virginia. So
many good life experiences have come about as a result of living here, but when
I think “home”, I still think of Kentucky. Maybe that’s in some way a longing
for my “childhood bedroom”, as Megan said, or maybe because it’s my nature to
love places, it’s reasonable that I love my first place the best of all. But
while I may always think of Kentucky as home, I have great affection for
where I am now. I like horses and history, and Virginia is a haven for
both, with rolling pastures, 18th century villages, and sunken dirt roads
lined with trees and dry stone fences. It's the kind of place my
horse-crazy, ten year old self used to imagine living. </span><span style="color: #222222;"><o:p></o:p></span></span></div>
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_FqTQjKwlK8Khgzc7FTTputExn6Se18VLRYCrGhP2JTCNBCI5W3ukGbOTFyv8YC5ANXO6b8CoLDIsoemAVSghy9pSRPtLcSJUs0_0zCRIbI-p-v5rMz2sSwCI38-uHQmxOKtf-mzgU3Kh/s1600/Image+9.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_FqTQjKwlK8Khgzc7FTTputExn6Se18VLRYCrGhP2JTCNBCI5W3ukGbOTFyv8YC5ANXO6b8CoLDIsoemAVSghy9pSRPtLcSJUs0_0zCRIbI-p-v5rMz2sSwCI38-uHQmxOKtf-mzgU3Kh/s1600/Image+9.jpg" height="200" width="133" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Or maybe this one?</td></tr>
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<span style="font-family: 'Times New Roman'; font-size: 14pt;"><span style="color: purple;">Our geography helps to
create what we think of as home, but it also has a tremendous impact upon
our sense of well-being. The older I get, the more I realize how
important it is to live and spend time within landscapes that are meaningful
and inspiring. <o:p></o:p></span></span></div>
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<br /></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: 'Times New Roman'; font-size: 14pt;">Tam:
</span></b><span style="font-family: 'Times New Roman'; font-size: 14pt;">And that is a perfect way to leave off. It is important to spend
time within landscapes that are meaningful and inspiring. Yes. And important to
spend time inside books that are both meaningful and inspiring too!<span style="mso-spacerun: yes;"> </span>I know <i style="mso-bidi-font-style: normal;">Grounded
</i>is one of those.<o:p></o:p></span></span></div>
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<span style="font-family: "Times New Roman"; font-size: 14.0pt;"><span style="color: purple;">Thank you, Megan and thank you Kristin,
for taking the time to answer our questions. You have given us so much to think
about.<o:p></o:p></span></span></div>
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<span style="color: purple;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;">Megan and Kristin: </span></b><span style="font-family: "Times New Roman"; font-size: 14.0pt;">And thank<i style="mso-bidi-font-style: normal;"> you</i> for the amazing questions, Tam! We
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<span style="font-family: "Times New Roman";">* * * * * * *</span></div>
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<i><span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-family: 'Times New Roman';"><br /></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinANMuHv41klOwiQvdIUSKx6MR4ziBh_97uecziFaVEguhkBSRg9g8HY0oXh2tlrPsiTfXiGFwMlO5sQxxBZELh_6ZpWrKo6JCCV1uWhfuXJmySHIaqbTGSBoVSzvYWOVx4dQvPcv3Wyi8/s1600/Image+13.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinANMuHv41klOwiQvdIUSKx6MR4ziBh_97uecziFaVEguhkBSRg9g8HY0oXh2tlrPsiTfXiGFwMlO5sQxxBZELh_6ZpWrKo6JCCV1uWhfuXJmySHIaqbTGSBoVSzvYWOVx4dQvPcv3Wyi8/s1600/Image+13.jpg" height="200" width="154" /></a></div>
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<span style="color: purple;"><i><span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-family: 'Times New Roman'; font-size: 14pt;">Megan
Morrison is a mom, a middle-school teacher, and the author of<span class="apple-converted-space"> </span>GROUNDED: THE ADVENTURES OF RAPUNZEL
(Arthur A. Levine Books/Scholastic).<span class="apple-converted-space"> </span>GROUNDED<span class="apple-converted-space"> </span>is the first book in the Tyme series,
co-created with Ruth Virkus. Visit her at </span></i><span style="font-size: 14pt;"><a href="http://meganmorrison.net/"><i><span style="background: white; font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">meganmorrison.net</span></i></a></span><i><span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-family: 'Times New Roman'; font-size: 14pt;">.</span></i></span></div>
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<span style="color: purple;"><i style="mso-bidi-font-style: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;">To order a copy of
GROUNDED: THE ADVENTURES OF RAPUNZEL, visit </span></i><span style="font-size: 14.0pt;"><a href="http://www.amazon.com/Tyme-1-Grounded-Adventures-Rapunzel/dp/0545638267/ref=sr_1_1?ie=UTF8&qid=1418696550&sr=8-1&keywords=tyme+%231"><i style="mso-bidi-font-style: normal;"><span style="font-family: "Times New Roman";">Amazon</span></i></a></span><i style="mso-bidi-font-style: normal;"><span style="font-family: "Times New Roman"; font-size: 14.0pt;">, </span></i><span style="font-size: 14.0pt;"><a href="http://www.barnesandnoble.com/w/tyme-1-megan-morrison/1120521289?ean=9780545638265&cm_mmc=AFFILIATES-_-Linkshare-_-je6NUbpObpQ-_-10:1&r=1"><i style="mso-bidi-font-style: normal;"><span style="font-family: "Times New Roman";">Barnes
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<i><span style="font-family: "Times New Roman"; font-size: 14.0pt;"><span style="color: purple;">Kristin Brown is a
geographer who lives in Virginia. Besides an interest in cartography (both
professionally and personally), she also pursues painting and photography,
often of places and horses. </span><o:p></o:p></span></i></div>
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<br /></div>
Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com2tag:blogger.com,1999:blog-7725892775056737468.post-62197532779730112462015-04-16T00:01:00.000-04:002015-04-16T00:01:00.534-04:00Nizhoni Shima’—“My mother, it is beautiful!” (Revisited)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipbnAJ28hsQCRYRYDelWM2wWGzekzowdScra9tw_rw_vTQlBp2YYsLreATQ7unwrABdXxZAPXbD-DRbjxlguYAC1Wiu_A5nlzdv1NfhXG1aCCucE0DONPZI55zBCzU5XTYxon0_RnF05uV/s1600/Santa-Fe-Adobe.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipbnAJ28hsQCRYRYDelWM2wWGzekzowdScra9tw_rw_vTQlBp2YYsLreATQ7unwrABdXxZAPXbD-DRbjxlguYAC1Wiu_A5nlzdv1NfhXG1aCCucE0DONPZI55zBCzU5XTYxon0_RnF05uV/s1600/Santa-Fe-Adobe.jpg" height="213" width="320" /></a></div>
<br />
I'm off to Santa Fe again, so thought I'd repost this from a visit four years ago, along with the amazing ten minute video of Navajo weaver Clara Sherman carding and spinning wool for a rug she's going to make.<br />
<br />
April 7, 2011<br />
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I just returned from a week in Santa Fe with my husband—our fifth visit to this place so radically different from where we live that we find ourselves drawn there time and time again.</div>
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The differences are obvious; the high (more than a mile high!) desert is a stark contrast to our watery, sea-level surroundings. Where the predominant colors in the Bay Area are shades of blue-grey (as in water, fog, air and cement) and green (as in trees), Santa Fe’s palette is made up of earth tones: browns and tans, terra cotta, adobe, pale sage and a lavender taupe that is the shadow of hills. Red and turquoise are decorative accents added to homes and personal accessories the way chilies are added to spice up the hearty fare.</div>
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Over the years of visiting we have gained special appreciation for the native handcrafts, especially the beautiful woven rugs and tapestries that the Navajo women have been creating since the beginning of the 20<sup>th</sup> century. On our recent visit, we were very fortunate to catch the end of a display at the Wheelwright Museum of the American Indian; Master Weavers from the Toadlena/Two Grey Hills region. To even try to describe the exquisite intricately subtle artistry of the work shown could not do it justice. The show title best describes it; Nizhoni Shima’—“My mother, it is beautiful!”<br />
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If the video doesn't show up on your device, go to <a href="https://youtu.be/D_p7OIghMVw">https://youtu.be/D_p7OIghMVw</a><br />
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Even more humbling is the understanding of the time dedicated to each piece; the shearing, cleaning, carding and spinning and washing alone can take up to six months and then the weaving another 6 months to a year. For a better sense of the patience, dedication and attitude around the process, watch this wonderful 10 minute video of Master Weaver Clara Sherman. </div>
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Many of the pieces have a thin line woven into the upper left hand corner that goes from the outer border to the interior of the weaving. We were told that it the spirit line—the path where Spider Woman enters the weaver and guides her through the process. A reminder for us all to leave space, leave a path that the universal creative spirit can enter to guide us in our work, whether it be weaving wool into stunning rugs or words into stories.<br />
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Take Good Care,</div>
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Sharry</div>
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Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com1tag:blogger.com,1999:blog-7725892775056737468.post-49046983125665507982015-04-09T13:58:00.002-04:002015-04-09T13:58:36.707-04:00Repost: LandscapeThis will be a simple post today. A poem of a post. One to remind me--to remind all of us, perhaps--to keep our hearts and eyes and ears open. But not only that, to also walk out the door in that wide, curious state-of-being. To make that a ritual. And in that way, to feel our wings, and our hearts, stretch from one end of the world to the other.<br />
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Hoping for Spring here in Vermont…ANY DAY NOW?!!!<br />
<br />
Tam<br />
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<strong>Landscape </strong>by <a href="http://barclayagency.com/oliver.html">Mary Oliver</a><br />
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Isn't it plain the sheets of moss, except that<br />
they have no tongues, could lecture<br />
all day if they wanted about<br />
<br />
spiritual patience? Isn't it clear<br />
the black oaks along the path are standing<br />
as though they were the most fragile of flowers?<br />
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Every morning I walk like this around<br />
the pond, thinking: if the doors of my heart<br />
ever close, I am as good as dead.<br />
<br />
Every morning, so far, I'm alive. And now<br />
the crows break off from the rest of the darkness<br />
and burst up into the sky—as though<br />
<br />
all night they had thought of what they would like<br />
their lives to be, and imagined<br />
their strong, thick wings.Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com0tag:blogger.com,1999:blog-7725892775056737468.post-56326576844697238782015-04-02T00:01:00.000-04:002015-04-01T23:27:19.942-04:00The Landscape of Welcome<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;">I was out in the wilds of
west Marin last week—we packed ourselves and our Sheltie Emma into the (new!) Mini
and drove across the Golden Gate Bridge heading north to Inverness and Point
Reyes. Yippee!<o:p></o:p></span></div>
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<span style="font-family: Times, Times New Roman, serif;">We forgot about
traffic…ugh. There was a lot. I found myself wondering if we shouldn’t have
just stayed home. I hate sitting in traffic—it’s boring and claustrophobic and
bad for your mental and physical health. I entertained fantasies of abandoning
our new car and walking home.<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif;">But we finally made it to
our turnoff and were soon on a quiet country road with rolling hills of bright
green on either side. We headed up the mountain, passing through dense and
fragrant groves of redwood trees with a not-as-full-as-it-should-be river faintly
chortling through the gully below and then back out to rolling hills with cows
and wild turkeys and gnarly live oaks stretching their arms wide open as if to
say ‘welcome to the country!’ We drove until we reached a fork in the road and pulled
into a parking lot for a small county park with a trail that wandered next to a
quite-full river that flowed out into Tomales Bay. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh56Ln4PqWZzJke5MvZgz-yR3cgnA0NFbbjTrBGCAR6rIiT1nLDcpQoiigVkfjQedDcLqJws5q6OOMHlAJcDn2AvaawgdNAQgAo4iM4j5XlhQSmHBU6lTdZp4bbcTvOfbNIG0HQg5-6qgH1/s1600/banner-whp.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh56Ln4PqWZzJke5MvZgz-yR3cgnA0NFbbjTrBGCAR6rIiT1nLDcpQoiigVkfjQedDcLqJws5q6OOMHlAJcDn2AvaawgdNAQgAo4iM4j5XlhQSmHBU6lTdZp4bbcTvOfbNIG0HQg5-6qgH1/s1600/banner-whp.jpg" height="112" width="320" /></a><span style="font-family: Times, 'Times New Roman', serif;">As we followed Emma’s
exuberant swish of a tail down the path, with the low afternoon sun stretching
out the shadows of the newly budding branches of aspens and alders and river
willows, a cool breeze off the river shushed through the leaves and tall grass.
All around us choruses of robins and larks and finches filled in the high notes
as they searched for their evening meal of gnats. I took a deep breath—the air
smelled of damp earth and green bark and new buds and things that live in and
around a river. Ahhhh—I felt the tensions of the city (and the traffic) fall
away. Standing still, listening, feeling the wind and the sun and the soft
earth beneath my feet, I had the profound and greatly relieved sense of
belonging in the world.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Sometimes, you just got
to get out of town.<o:p></o:p></span></div>
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<span style="font-family: Times, Times New Roman, serif;">The night before, I had
gone with my dear friend Ann to hear Anne Lamott—charming, hilarious and wise
as ever—speak about grace and read from her newest book, another little gem of
life lessons called Small Victories, Spotting Improbable Moments Of Grace. The first
chapter, titled The Book Of Welcome, talks about the need for all of us to find
a place where we feel welcome in the world and how community does that for you.
She says that in her thirties…she got sober, because she’d gone crazy. Then:<o:p></o:p></span></div>
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<span style="font-family: Times, Times New Roman, serif;">“<i style="mso-bidi-font-style: normal;">A few women in the community reached out to me. They recognized me as a
frightened lush. I told them about my most vile behavior and they said, “Me
too!” I told them about my crimes against the innocent, especially me. They
said, “Ditto. Yah. Welcome.” I couldn’t seem to get them to reject me. It was a
nightmare, and then my salvation. <o:p></o:p></i></span></div>
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<span style="font-family: Times, Times New Roman, serif;"><i style="mso-bidi-font-style: normal;">“It turns out that welcome is solidarity. We’re
glad you’re here, and we’re with you. This whole project called you being
alive, you finding joy? Well, we’re in on that.</i>”<o:p></o:p></span></div>
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<span style="font-family: Times, Times New Roman, serif;">I couldn’t agree more…<o:p></o:p></span></div>
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<span style="font-family: Times, Times New Roman, serif;"><i style="mso-bidi-font-style: normal;">But</i>
I’ve personally also found that some of the places I feel most welcome on earth
are in nature, especially those places where the elements of earth, water, fire
and air are all boldly present. Standing at the edge of a lake as the sun sinks
below the far hills; walking barefoot at the edge of the ocean at low tide as
the water rushes in and out, shocking my feet awake; sitting in a meadow of
wild grass and mountain iris watching a stream wind its way over stones.
Perhaps these moments of grace touch me deeply with a sense of being one with
the world because they are undemanding and non-judgmental and all that’s
required of the moment is to be present.<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif;">And yet, as we drove back
into San Francisco in the early evening and the lights were just starting to go
on in our jewel box of a city, I also had a joyful feeling of gratitude and
homecoming. I do love where I live and feel so lucky to be able to get in the
car and drive for twenty minutes and be surrounded by nature. Even if you do
have to put up with a little traffic now and then.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Where do you feel welcome
in the world?<o:p></o:p></span></div>
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<span style="font-family: Times, Times New Roman, serif;">Take care,<o:p></o:p></span></div>
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<span style="font-family: Times, Times New Roman, serif;">Sharry</span><span style="font-family: Garamond;"><o:p></o:p></span></div>
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Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com2tag:blogger.com,1999:blog-7725892775056737468.post-44163826237460912982015-03-27T13:39:00.003-04:002015-03-27T13:39:31.065-04:00Reprise: The Landscape In BetweenI kinda feel this way again, everyone. Is it the time of year? Maybe…<br />
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<br />
<div style="text-align: center;">
* * * * </div>
<br />
I am in that straddling place.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRWPv5TSiU-uh3NGKEFLi2MDy_2RqVaFdTUl64oh1HGBvJV4Lfa7tIAV13uP80-UcDO3L3qjJaKA7L3GqSBU2PIvK9DV06rADgDXZo1-ynG7GDAwd72MVC6b-aOwc7hBbWdDp2ajFCG5tK/s1600/800px-Image-Lithuania_Juodkrante_sand_dunes.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRWPv5TSiU-uh3NGKEFLi2MDy_2RqVaFdTUl64oh1HGBvJV4Lfa7tIAV13uP80-UcDO3L3qjJaKA7L3GqSBU2PIvK9DV06rADgDXZo1-ynG7GDAwd72MVC6b-aOwc7hBbWdDp2ajFCG5tK/s200/800px-Image-Lithuania_Juodkrante_sand_dunes.jpg" height="133" width="200" /></a></div>
That place that is one part rocky and one part sand. One part windy and one part heat. The place that is the water between two islands, that long stretch when you can't see land but you know it is behind you and you know it is in front of you and so you contemplate your options, tread water or swim, baby, swim...<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt02yzB1JytLI7GcTAH2lQcsBOphdu9i2NasZ1Pyb9D4ug5rgXgzpaHx5pLpbixzv1dIxGNRKhF6Wu2A6ULNQnHpFJNy3f0xUEB6EY1cuKyT9KB_aN5vJaktzzhUhYyQnDoSnyQstF6_QP/s1600/images.jpeg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt02yzB1JytLI7GcTAH2lQcsBOphdu9i2NasZ1Pyb9D4ug5rgXgzpaHx5pLpbixzv1dIxGNRKhF6Wu2A6ULNQnHpFJNy3f0xUEB6EY1cuKyT9KB_aN5vJaktzzhUhYyQnDoSnyQstF6_QP/s200/images.jpeg" height="149" width="200" /></a></div>
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I choose to swim, but I am tired. Man, am I tired.<br />
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It's an age old place, and an age old murmur in the brain. I know that the straddling place should have its own name. It shouldn't be nameless, those that are nameless don't turn their heads to familiar voices because no one calls to them, no one <i>can</i> call to them. And so they grow more and more aloof, and protective. They grow vines with thorns.<br />
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I also know that, truly, the straddling place does have many names. My friend, Kara, who teaches yoga calls it <i>being in the moment. </i>And my son, Luc, who is a cross country runner, calls it <i>the zone.</i> There are other names too: <i>the process, patience </i>and <i>faith. </i>Even I have given it names before. My favorite is <i>it is what it is. </i>Kind of catchy, right? Chameleon-like. When I call it that I feel bold and brave. I feel like an explorer who is in it simply for the rocks and the sand and the wind and the sun.<br />
<br />
But that name escapes my brain now, and I can't find my compass or my map, and I forgot to bring enough water and nuts. I'm tired. I'm hungry. And I feel like I'm on uneven ground.<br />
<br />
Oh my gosh. Pathetic. I don't mean to be pathetic. I mean to be honest and I mean to put these three questions out to you all:<br />
<br />
What do you call this place? What is its landscape? And how do you find a sense of home here?<br />
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<div style="text-align: center;">
* * * * * *</div>
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Last night I sat on the couch and finished a book. A great book. One that inspired me as a person and as a writer. The pellet stove was chugging. The room was warm. I had a glass of seltzer on the window sill behind me with just the right amount of fizz because yesterday was pay-day and I went to the store to finally buy a new CO2 canister. The chickens were tucked into their coop, but my middle daughter, Zory, tread down the stairs, too late for her to be awake.<br />
<br />
<i>You should be in bed </i>I said.<br />
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<i>I can't sleep </i>she said. She looked at the book face down on my lap. <i>What book is that?</i><br />
<i><br /></i><i>A really good one </i>I said. <i>Actually I read it to see if you might like it. And I think you will.</i><br />
<i><br /></i>She stretched out her hand. I put the book carefully in it. She read a page. She looked at the cover. <i>Is this Maureen or Debbie?* </i>she asked, pointing to the girl riding over a bridge on her bike.<br />
<br />
<i>Debbie </i>I said. <i>You need to go to bed. You have school tomorrow. </i><br />
<i><br /></i><i>But I can't sleep. Don't you ever feel that way?</i><br />
<i><br /></i>For some reason the question brought tears to my eyes. I nodded my head in agreement.<br />
<br />
<i>So can I read a little more? </i>she asked. <i>Just until the end of the chapter. Please? I like the book so far.</i><br />
<i><br /></i>I nodded again.<br />
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Zory leaned back on the other side of the couch. Her knees were bent and the book rested on her thighs. I looked out the window. It was black outside. I felt the glass on the window. And cold. It was cold out there too. The last remnants of winter skulking around in the night. I looked back at Zory. Her brow was furrowed. Her mouth was slightly open. She was unaware of me in that ten-year-old way that she usually was. When had it happened? When had she become the kind of reader that walked inside a book and sat down with girls like Maureen and Debbie and didn't walk out until she was done? When had she become the kind of reader that I had dreamed I would give birth to, who would sit on the couch with me, warmed by the stove and warmed by the words?<br />
<br />
Twice in one night Zory brought tears to my eyes.<br />
<br />
I thought about the Zory of <i>before</i>, I thought about where she was <i>going</i>. And, last night, I felt like I could sit on that couch forever in that place in between, in that straddling place. In that place I call home.<br />
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* * * * * *</div>
<div style="text-align: center;">
<br /></div>
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<i>It is what it is. The zone. Being in the moment. The process, patience </i>and <i>faith.</i></div>
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<i><br /></i></div>
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<span style="text-align: -webkit-auto;">What do you call this place? What is its landscape? And how do you find a sense of home here?</span></div>
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<span style="text-align: -webkit-auto;"><br /></span></div>
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<span style="text-align: -webkit-auto;">Gratefully yours,</span></div>
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<span style="text-align: -webkit-auto;"><br /></span></div>
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<span style="text-align: -webkit-auto;">Tam</span></div>
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<span style="text-align: -webkit-auto;"><span style="font-size: x-small;">*Can you guess what book Zory was reading??</span></span></div>
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Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com0tag:blogger.com,1999:blog-7725892775056737468.post-70792492685593431722015-03-19T00:01:00.000-04:002015-03-19T00:01:00.707-04:00The Rich Landscape Of Travel<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Times, Times New Roman, serif;">I was recently in Mexico—Mexico City, San Miguel De Allende and a
day in Guanajuato. The time spent there was sensual, mind-expanding and so rich
in images and experience. <o:p></o:p></span></div>
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<span style="font-family: Times, Times New Roman, serif;">Travel has always been important in our family, a priority that
trumps most all other discretionary spending and hits the top of the list when
we’re budgeting time and resources. <o:p></o:p></span></div>
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<span style="font-family: Times, Times New Roman, serif;">People often ask me, but what do you do when you travel? <o:p></o:p></span></div>
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<span style="font-family: Times, Times New Roman, serif;">Well, we do what we most like to do when we’re home, but more of it.
We wander, we consider the landscape, we look at architecture, visit galleries
and art museums, listen to music, hang out at side-walk cafés, talk to the
dogs, eat locally and drink the local wine. And we always stop in a pharmacy
and buy a tube of toothpaste.</span><br />
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<span style="font-family: Times, Times New Roman, serif;">I keep a journal. This past trip, I kept two. One to share and one
just for me where I jotted down images and experiences and notes for a poem or
short story, plus 4 rough-hewn sketches that helped me “see” more detail in an
image I’d noted. (A practice I’ve now incorporated into my everyday journaling.
Thank you, Lynda Barry!)<o:p></o:p></span></div>
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<span style="font-family: Times, Times New Roman, serif;">I thought I’d share one day from our trip (from the to-share journal):
<o:p></o:p></span></div>
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<span style="font-family: Times, Times New Roman, serif;">Wednesday February 25, San Miguel de Allende<o:p></o:p></span></div>
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<span style="font-family: Times, Times New Roman, serif;">Breakfast in the lovely courtyard of our hotel.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Then we took a taxi
from San Miguel to Guanajuato in a car with no seat belts. Our drivers name was
Juan Jose—he spoke no English and had a silver cross on a string of green rosary
beads dangling from the rear view mirror. He picked up a friend and then took
us to see the mummy museum displaying the people who have been dug up from the
cemetery to make room for more people, explaining in Spanish that only the very
wealthy stay buried. <o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif;">Then they took us to a church on top of a mine and showed us the
gloppy gilded altars and sent us with a guide, deep, deep, down many flights of
steep slippery stairs into the mineshaft. The guide insisted we keep taking
pictures of each other posed as miners. Then we drove through the tunnels left
over from the old mines into the center of town where we had a nice outdoor lunch
on the square; shrimp tacos on a big spinach leaf and a paper thin slice of
jicama and then soup. We walked around town holding hands and soaking up the
spectrum of heat-soaked colors, then drove back to San Miguel and looked at the
cactus and yellow flowers of Saint Mary and the dry hills of the Sierras de
Guanajuato. Back in San Miguel, we chilled a little then went back out to see a
few more galleries on Bob's recommended list, had some ice cream at Santa Clara
creamery, a drink on the roof of Mama Mia.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">On our way to find the restaurant where we wanted to eat, we saw a
parade come up a quiet dimly-lit narrow street with a motorcycle policeman
escort; a decorated donkey, two huge puppets—a lady and a Mexican wrestler with
a horn band—maybe for lent? Also a group of tourists riding horses. We had a
lovely light dinner at a new modern restaurant, Cumpanio, that had a repeating
video of silhouetted white dog images playing on a wall in the bar. </span><span style="font-family: Helvetica;"><o:p></o:p></span></div>
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<span style="font-family: Times, Times New Roman, serif;">I'd love to hear where you've been and what you've seen...</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Take Good Care,</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Sharry</span></div>
Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com1tag:blogger.com,1999:blog-7725892775056737468.post-2198172164632777982015-03-12T11:09:00.002-04:002015-03-12T11:09:54.378-04:00The Landscape of Longing Repost<div class="MsoNormalCxSpFirst" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">There is a space between man's imagination and man's attainment that may only be traversed by his longing.<o:p></o:p></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;"><span style="mso-tab-count: 2;"> </span><o:p></o:p></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: purple;"><span style="mso-tab-count: 4;"> </span>― Kahlil Gibran from Sand and Foam </span><o:p></o:p></i></div>
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<span style="mso-bidi-font-family: "Times New Roman";">I am thinking about longing this week.<span style="mso-spacerun: yes;"> </span>I think about it often, and I know I have written about it here before.<span style="mso-spacerun: yes;"> </span>It's a complicated thing, longing.<span style="mso-spacerun: yes;"> </span>It's a good thing, a great thing, a salvation. To long for something is an affirmation of your very self; a vibrant reminder that you care and you feel and you have a bonfire burning inside. But it is also an ache, isn't it?<span style="mso-spacerun: yes;"> </span>A pull outside of yourself – for what you desire is not with you, not yet.<span style="mso-spacerun: yes;"> </span>It is your head against the cold of the windowpane, searching, searching through the glass for that thing, that (as of yet) unattainable thing.<o:p></o:p></span></div>
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<span style="mso-bidi-font-family: "Times New Roman";">I tend to rest, ultimately, not on the dark side of longing, but on the light side.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOiUfNbEgYm3L45TGq-nfNowFbmYbpw9glbX3974EYfIxjFv6uUHp9CookkaezBcg35HH4qIxl8OOrMn2d5j1funVhGuRnzGUM_bIW7RlVd2wPPzkS493w0Yj5kiWjaOPbUmDwBD31ho23/s1600/images.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOiUfNbEgYm3L45TGq-nfNowFbmYbpw9glbX3974EYfIxjFv6uUHp9CookkaezBcg35HH4qIxl8OOrMn2d5j1funVhGuRnzGUM_bIW7RlVd2wPPzkS493w0Yj5kiWjaOPbUmDwBD31ho23/s1600/images.jpeg" height="239" width="320" /></a></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">God speaks to each of us as he makes us, then walks with us silently out of the night.</span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">These are the words we dimly hear:<o:p></o:p></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">You, sent out beyond your recall, go to the limits of your longing. Embody me.<o:p></o:p></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">Flare up like a flame and make big shadows I can move in.<o:p></o:p></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">Let everything happen to you: beauty and terror. Just keep going. No feeling is final.<o:p></o:p></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">Don't let yourself lose me.<o:p></o:p></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">Nearby is the country they call life. You will know it by its seriousness.<o:p></o:p></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">Give me your hand.</span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;"> </span></span></i><i><span style="color: purple;"> — Rainer Maria Rilke, Go to the Limits of Your Longing</span></i></div>
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<span style="mso-bidi-font-family: "Times New Roman";">I had an epiphany this week though.<span style="mso-spacerun: yes;"> </span>Perhaps you all already know this, but for me it was an eye opener.<span style="mso-spacerun: yes;"> </span>I realized that, historically, when I feel a longing, I immediately and unconsciously attach it to many, many thoughts or memories or fantasies. Let me explain: I long for something. Nanoseconds later I either have a fantasy about that longing – <i style="mso-bidi-font-style: normal;">What would it be like to have this? I can see myself having it, feeling so happy, sitting in my living room basking in its glow… </i>or I have a memory about it – <i style="mso-bidi-font-style: normal;">I remember when I wanted this before. I almost had it, and then, in the last moment, it fell through my fingers. It felt awful, I felt like a failure…<o:p></o:p></i></span></div>
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<span style="mso-bidi-font-family: "Times New Roman";">See?<span style="mso-spacerun: yes;"> </span>In the former, my longing is hitched to a fantasy train, wildly careening down the tracks, and in the latter, it is strapped to a memory bomb, whistling and hurtling at terrifying speeds to the earth.<span style="mso-spacerun: yes;"> </span>Both are a ride. Neither will get me anywhere useful.<o:p></o:p></span></div>
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<span style="mso-bidi-font-family: "Times New Roman";">So my epiphany was this idea that longing is best treated with a buffer of space and reverence. It needs to breathe.<span style="mso-spacerun: yes;"> </span>It needs to be – not lonely, perhaps – but solitary.<span style="mso-spacerun: yes;"> </span>It deserves to be respected in that way.<span style="mso-spacerun: yes;"> </span>We who feel longing deserve to be respected in that way.<o:p></o:p></span></div>
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<span style="mso-bidi-font-family: "Times New Roman";">I know I have posted this poem before, but May Sarton says it in the very best way:</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;"><br /></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">The phoebe sits on her nest
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<i><span style="color: purple;">Hour after hour,
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">Day after day,
<o:p></o:p></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">Waiting for life to burst out
</span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">From under her warmth.
<o:p></o:p></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">Can I weave a nest of silence,
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">Weave it of listening, listening, listening,
<o:p></o:p></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">Layer upon layer?
<o:p></o:p></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">But one must first become small,
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">Nothing but a presence,
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">Attentive as a nesting bird,
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">Proffering no slightest wish
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">Toward anything
that might happen or be given,
<o:p></o:p></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">Only the warm, faithful waiting,
contained in one’s smallness.
<o:p></o:p></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">Beyond the question,
the silence.
<o:p></o:p></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: "Times New Roman";"><span style="color: purple;">Before the answer,
the silence.<o:p></o:p></span></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: purple;">— May Sarton, Can I Weave a Nest of Silence</span><o:p></o:p></i></div>
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With gratitude,</div>
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Tam</div>
Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com0tag:blogger.com,1999:blog-7725892775056737468.post-37129874194670419682015-03-05T00:01:00.000-05:002015-03-05T00:01:00.127-05:00The Landscape of Sarah Tomp's My Best Everything<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">We’re so thrilled to have our VCFA classmate and dear friend Sarah Tomp
with us today to talk about her just released (March 3<sup>rd</sup>!) debut YA
novel, My Best Everything!<span style="mso-spacerun: yes;"> </span>We love this
book—it’s a beautifully written</span><span style="font-family: Georgia; font-size: 14pt;"> </span><span style="font-family: Garamond; font-size: 14pt;">love
letter</span><span style="font-family: Georgia; font-size: 14pt;"> </span><span style="font-family: Garamond; font-size: 14pt;">brimming with electric passion and the
longing of characters who take great risks to get what they think they want. (I
read it in two long breathless gulps, staying up half the night to find out
what happens!)<o:p></o:p></span></div>
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<b><span style="font-family: Garamond; font-size: 14pt;">Sharry</span></b><span style="font-family: Garamond; font-size: 14pt;">: Welcome Sarah! I found the
landscape in MY BEST EVERYTHING to be so richly provocative and specific to the
story—could you describe it for our readers?</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">Sarah</span></b><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">: MY BEST EVERYTHING takes place in the fictional
town of Dale, located in the New River Valley, within Appalachia Virginia. It’s
a small impoverished town tucked between two mountains with a river running
through its center. There are wild and overgrown woods surrounding the area.
And in those woods, not too far from a rushing stream, is the spot where my
main character, Lulu Mendez, convinces her friends Roni and Bucky to set up a
copper still “borrowed” from the junkyard where she and Roni work. That’s how
they start making and selling moonshine. <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">Sharry</span></b><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">: You seem to know the landscape intimately well—you
must have spent a good amount of time there, gathering the details that bring
it vividly to life?<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">Sarah</span></b><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">: Although Dale is not a real place, it’s based on
several of the towns surrounding Blacksburg, Virginia, where I lived as a teen.
It’s the kind of place that feels both wild and safe. It’s where I learned to
drive—and I spent a ridiculous amount of time driving and/or riding around on
little back roads exploring the area. The river was a favorite place to end up.
I loved riding inner tubes down The New River as soon as the days turned warm. <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">Sharry</span></b><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">: Wild <i style="mso-bidi-font-style: normal;">and</i>
safe—I love that! And such evocative memories of your own teenage years. Can you
talk a little about how the landscape of and around Dale plays a part in your
story? <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">Sarah</span></b><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">: The setting—the landscape—is integral to the
story in just about every way. My main character, Lulu is desperate to leave
town. She is eager to head off to college life in sunny California. Although
there are things she grudgingly likes about her town, she has never felt like
she fits in there. She sees it as a slow and sleepy place, covered with shadows
and grit. It’s beautiful, but it’s a rough place too. <o:p></o:p></span></div>
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<span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">This is the way she describes Dale, and the junkyard where she works:<o:p></o:p></span></div>
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<span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">“…<i style="mso-bidi-font-style: normal;">that spot coming out of the last
long curve, where the silvery beech trees grow all lithe and graceful with the
somber, steady hills behind them. That’s a view that feels like hope and
goodness, as if the whole world is right and strong. But then, all of a sudden,
there it is: Sal’s Salvage. Heaps of rusty cars. Noisy machinery. All of it
ugly and old and worn out, and all wrapped up with harsh chain-link fences and
barbed wire</i>.”<o:p></o:p></span></div>
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<span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">Over the course of the story, Lulu gets to know her community better.
Mason teaches her to drive and they spend hours exploring all the many back
roads. She starts to find beauty in unexpected places, and to truly appreciate
what it means to be a “Dale girl.” <o:p></o:p></span></div>
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<span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">And then there’s the moonshine. Moonshine is a cultural tradition for
this part of the world. It’s something that has always flourished when times
get tough. People work hard and do whatever it takes to feed their families.
The thick woods and running water make it easier to hide a working still.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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<span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">I just don’t think this story couldn’t have taken place anywhere else. <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">Sharry</span></b><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">: I couldn’t agree more—the story and place are so
interwoven. And it feels like you have both affection and such a deeply
personal connection to this landscape—would you say that’s true? <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">Sarah</span></b><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">: I loved living in that part of the country! It
was an amazing place to spend my teen years. We hiked in the woods, went
camping out under the stars, and swam in the lakes and rivers, and the amazing
Cascade waterfalls.<o:p></o:p></span></div>
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<span style="font-family: Garamond; font-size: 14pt;">So many of my own firsts happened in that place. Memories are tucked
into that landscape. There’s a spot on the highway a little north of here (San
Diego) that when I’m driving past, it always looks like the hills of Virginia
to me. Paired with the colloquial exit named Gopher Canyon, it always makes me
feel a little homesick and wistful. But happy, too.</span></div>
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<span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">And yet, I never really thought I’d stay there. A lot of my high school
friends had lived there all their lives. I was very aware of being an outsider
when we moved the summer I turned twelve. So, even though I loved parts of it,
maybe that’s why I knew I wouldn’t be staying there forever. I wasn’t as ambitious
or determined as Lulu—I never would have had the tenacity to follow through on
creating and sustaining a successful moonshine business—but I always assumed
I’d end up somewhere else. Just like Lulu. <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">Sharry</span></b><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">: Exactly! Just like Lulu. Thank you so much Sarah
for sharing these insights with us today!<o:p></o:p></span></div>
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<b><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">Sarah Tomp's Bio</span></b></div>
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<span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">Sarah is the author of <i style="mso-bidi-font-style: normal;">My Best
Everything</i>, a novel for young adults and a picture book, <i style="mso-bidi-font-style: normal;">Red, White and Blue Good-bye</i>. She earned
a MFA in writing for children and young adults from Vermont College of Fine
Arts. She teaches creative writing for UCSD Extension and lives in San Diego
with her family. Visit her at her website: </span><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Helvetica; mso-fareast-font-family: "MS 明朝";"><a href="http://www.sarahtomp.com/">www.sarahtomp.com</a><o:p></o:p></span></div>
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<span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Helvetica; mso-fareast-font-family: "MS 明朝";">You can order
<i>My Best Everything </i>through <a href="http://bit.ly/1zUcM49">Little Brown Teen</a> or <a href="http://bit.ly/XsMTKs">Barnes and Noble</a> or from your favorite
independent bookseller!</span><span style="font-family: Garamond; font-size: 14.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com3tag:blogger.com,1999:blog-7725892775056737468.post-78786736219478908592015-02-26T00:01:00.000-05:002015-02-26T00:01:00.086-05:00Building A Nest~Reposted from March 2013<div class="MsoNormal">
In my usual burst of enthusiasm for the things I love and the desire it creates to imitate them (I love to eat—I should learn how to cook! I love to read—I should try and write a novel!) I have been building a bird’s nest. <o:p></o:p></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgB_RFJUHsSMk_IHI96wX_Or0or98Gy7cAyGYAB1QzGfKGGObY5jMpxMCqn6byUpsW8GXAB9CZdbi8jFuprGY97nLWhe7ec2yIWRK7voU6Gj_AypAKXjRAa9r47CJJFCXxU1Z3AMMsW9Thg/s1600/american-robin-nest-large.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgB_RFJUHsSMk_IHI96wX_Or0or98Gy7cAyGYAB1QzGfKGGObY5jMpxMCqn6byUpsW8GXAB9CZdbi8jFuprGY97nLWhe7ec2yIWRK7voU6Gj_AypAKXjRAa9r47CJJFCXxU1Z3AMMsW9Thg/s200/american-robin-nest-large.jpg" height="161" width="200" /></a></div>
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Now the root of this passion is two-fold—I have always loved bird’s nests—I have collected obviously (and sometimes barely) abandoned ones for years. (Usually to have them disintegrate on a bookshelf after a time). I also love artist’s books and altered book artwork and recently made a pact with my oldest artist daughter, Ceinwen, that I would make a piece to enter in the annual MOCA (Marin Museum of Contemporary Art) altered book show and auction, if she would.</div>
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It’s due in a month.<o:p></o:p></div>
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The first step, for me, was to find a book to alter. So I visited the Reader’s Bookstore in Fort Mason to look for a vintage book that might be the foundation of my piece. I knew I wanted it to be something to do with birds and/or trees. I found an old library book from the 1940’s, a novel titled The Trees. The deckled pages are thick, slightly buckled and yellowed, the cloth cover is a faded blue. I cut a deep hole in the middle with an exacto-blade where my nest could rest.<o:p></o:p></div>
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Now making a bird’s nest is not as easy as it might look (neither is writing a novel!!!) I can definitely say that the slanderous term ‘bird-brain’ is a mislabel—birds are incredibly clever architects of little woven miracles.<o:p></o:p></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigrIawnHicAMIQn0KQUepOnnlWkZpqiKwa-pWxdEUuiloGa2MIHV6eE7zwIH_UHaIau-bBWpR4f1voWSnb0aM9giGzPEveqZ61odu252SHUhUEP98OOf5DIU_FB_BOUN8UMmaGqKw2mUHX/s1600/IMG_2236.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigrIawnHicAMIQn0KQUepOnnlWkZpqiKwa-pWxdEUuiloGa2MIHV6eE7zwIH_UHaIau-bBWpR4f1voWSnb0aM9giGzPEveqZ61odu252SHUhUEP98OOf5DIU_FB_BOUN8UMmaGqKw2mUHX/s200/IMG_2236.jpg" height="200" width="150" /></a>After I took a walk in the woods and collected some leaves and twigs, I made an awkward skeleton out of some copper wire. I soaked the twigs, then bent and twisted, snapped and cursed and tucked until I had a funky little bowl of twigs.<o:p></o:p></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfIa8qTb6hJzFEDJDzylskLNBhZK3wYUgvtvnjpJrPTjm7hOuYxpwjHiAwVMe1ziwVdGlKsaVsXOPeECjG6Z96Tsck3m8GLTkjtIq7AdonRBVEwunfp_N3BT6Uy2rt0yqcp5ZsydFI677I/s1600/IMG_2238.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfIa8qTb6hJzFEDJDzylskLNBhZK3wYUgvtvnjpJrPTjm7hOuYxpwjHiAwVMe1ziwVdGlKsaVsXOPeECjG6Z96Tsck3m8GLTkjtIq7AdonRBVEwunfp_N3BT6Uy2rt0yqcp5ZsydFI677I/s200/IMG_2238.jpg" height="150" width="200" /></a>What I have created is an imitation of a bird’s nest. It’s a pretty good imitation— there’s little question as to what it’s supposed to be. I think most people would look at it and think, oh, that looks like a bird’s nest. (As opposed to oh,…that’s interesting…what is it?)</div>
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It’s the same as when we write and try to create a well-rounded, believable character or a realistic setting—we are creating a plausible imitation. And sometimes we have to distort reality to make what is written work. This is especially the case in writing dialogue—if we as writers were to write a page of dialogue the way we all normally speak, it would be unbearably boring and dull with all of the um’s and uh’s and you know’s—so what we write is an imitation of dialogue.<o:p></o:p></div>
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They say that imitation is the highest form of praise. <o:p></o:p></div>
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I say, praise be to the birds, to their beautiful nests, to the trees that hold them, to their wood that is made into paper, to the books, to the stories told and written and read. And to all of those who imitate them with love in their hearts.<o:p></o:p></div>
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Take Good Care,<o:p></o:p></div>
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Sharry<o:p></o:p></div>
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Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com0tag:blogger.com,1999:blog-7725892775056737468.post-20887024899129110202015-02-19T02:00:00.000-05:002015-02-19T02:00:04.582-05:00The Landscape of Essential Living (and Writing)<div style="color: #222222; font-family: 'Open Sans', 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 23px; margin-bottom: 0.825em;">
My debut middle grade novel, <em style="line-height: 1.7;">Another Kind of Hurricane</em> was sold on April 3, 2014. On that same day, I got a phone call from our social worker, asking if we would be interested in changing the age range of the child we were willing to adopt. We had been in the process of adopting a child for 3 years, and were approved up to the age of 24 months. She asked if we were interested in, let's say, changing the upward end of the range to 28 months.</div>
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Translation of that question: There is a child that the adoption committee wants to match you with. He is slightly older than the age range you requested. If you change your age range you will be matched with your son.</div>
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Answer to that question: Yes. And yes and yes and also yes.</div>
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<a data-mce-href="https://emusdebuts.files.wordpress.com/2015/02/growingplant1.jpg" href="https://emusdebuts.files.wordpress.com/2015/02/growingplant1.jpg" style="color: #1b8be0; font-style: inherit; line-height: 1.7; text-decoration: none;"><img alt="growingPlant1" class=" size-medium wp-image-10472 alignleft" data-mce-src="https://emusdebuts.files.wordpress.com/2015/02/growingplant1.jpg?w=300" height="149" src="https://emusdebuts.files.wordpress.com/2015/02/growingplant1.jpg?w=300" style="border: 1px solid rgb(221, 221, 221); color: #222222; display: inline; float: left; font-style: inherit; height: auto; line-height: 1.7; margin-bottom: 1.625em; margin-right: 1.225em; margin-top: 0.4em; max-width: 100%; padding: 6px;" width="300" /></a>My book sold on the same day I found out about our son. Two excruciatingly long processes in the soil, sun and rain, and they flowered on exactly the same day.</div>
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Explain that. (Seriously. I'm collecting reasons, magical and logical, for why these two journeys are so intertwined.)</div>
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Or I will explain it. Or I will try, at least. But bear with me? I want to finally write a little about my son, who just came to live with us in December. I've been protective of his journey, not wanting to expose him too much in too public a way, but there is a part of it that I want to explore now. Here. With you all. And I'm not sure why, but I think it has something to do with writing. Maybe. We'll see.</div>
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<dt class="wp-caption-dt" style="-webkit-user-drag: none; font-size: 15px; font-style: inherit; font-weight: bold; line-height: 1.7;"><a data-mce-href="https://emusdebuts.files.wordpress.com/2015/02/image-15.jpg" href="https://emusdebuts.files.wordpress.com/2015/02/image-15.jpg" style="-webkit-user-drag: none; color: #1b8be0; font-style: inherit; font-weight: inherit; line-height: 1.7; text-decoration: none;"><img alt="Image 15" class="wp-image-10463 size-medium" data-mce-src="https://emusdebuts.files.wordpress.com/2015/02/image-15.jpg?w=225" height="300" src="https://emusdebuts.files.wordpress.com/2015/02/image-15.jpg?w=225" style="-webkit-user-drag: none; border: 0px none rgb(238, 238, 238); color: #222222; display: block; font-style: inherit; font-weight: inherit; height: auto; line-height: 1.7; margin: 5px auto 0px !important; max-width: 98%; padding: 0px;" width="225" /></a></dt>
<dd class="wp-caption-dd" style="-webkit-user-drag: none; color: #666666; font-family: Georgia, serif !important; font-size: 12px; font-style: inherit; line-height: 17px; margin: 0px 0px 0.6em !important; padding: 0px 0px 5px 40px; position: relative; text-align: left;">In Honduras.</dd></dl>
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My son was born in Honduras and lived his three years there before we adopted him. He lived in the same town, with the same family. His life with his foster mother was secure and full of love. This is evident. He is fully himself wherever, thus far, he has been – in his home town; in Tegucigalpa, the capitol city of Honduras; on Roatan Island; on my parents' farm in very rural Vermont; and now, in my town in Vermont, in our little village, in our house. In all of these places, in all of these landscapes, he is…who he is. Do you know what I mean? He's got a solid sense of self. And he is very comfortable residing there. No need to defend himself, no need to hide himself.</div>
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I believe he is like this for two reasons: First, he came into the world this way. He must have. And second, his foster mother nurtured this in him – through her love and gift of security – during those critical early developmental years in his life. (The respect and awe I feel for her, this woman who took in my son with open arms, raised him, and then let him go with those same open arms…that is for another post another day.)</div>
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Because he has this innate sense of centeredness, he is very curious about and very comfortable finding the ways that he fits into the landscape of our family. And here is where maybe he and writing overlap? Or are woven together?</div>
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<dt class="wp-caption-dt" style="-webkit-user-drag: none; font-size: 15px; font-style: inherit; font-weight: bold; line-height: 1.7;"><a data-mce-href="https://emusdebuts.files.wordpress.com/2015/02/flat550x550075f-u5.jpg" href="https://emusdebuts.files.wordpress.com/2015/02/flat550x550075f-u5.jpg" style="-webkit-user-drag: none; color: #1b8be0; font-style: inherit; font-weight: inherit; line-height: 1.7; text-decoration: none;"><img alt="flat,550x550,075,f.u5" class="wp-image-10475 size-medium" data-mce-src="https://emusdebuts.files.wordpress.com/2015/02/flat550x550075f-u5.jpg?w=300" height="206" src="https://emusdebuts.files.wordpress.com/2015/02/flat550x550075f-u5.jpg?w=300" style="-webkit-user-drag: none; border: 0px none rgb(238, 238, 238); color: #222222; display: block; font-style: inherit; font-weight: inherit; height: auto; line-height: 1.7; margin: 5px auto 0px !important; max-width: 98%; padding: 0px;" width="300" /></a></dt>
<dd class="wp-caption-dd" style="-webkit-user-drag: none; color: #666666; font-family: Georgia, serif !important; font-size: 12px; font-style: inherit; line-height: 17px; margin: 0px 0px 0.6em !important; padding: 0px 0px 5px 40px; position: relative; text-align: left;">(from http://www.violinist.com)</dd></dl>
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My son's first three years were full of the routines and rhythms of household chores. I'm learning this about him. He loves to do the laundry with me, for example, and learned the order of button pushing to start the washing machine by the second time we did it together. He loves to cook too. He sits on the counter, his short legs kicking the wooden drawer underneath him, and he dumps the flour, cracks the eggs, and pours the milk. <em style="line-height: 1.7;">Stir</em> is one of his first English words. He watched my other 3 kids come home from school for about 3 days before he began taking their lunch boxes out of their backpacks and bringing them to me – because he realized that was what they did, day after day, right after they piled through the door and spilled into the house.</div>
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This kid watches routines. He feels rhythms. And then he acts. He finds the places where he can fit himself into the beat, into the music, into the pauses and patterns – and then he inserts himself. The earnestness with which he pursues this breaks my heart wide open. He is so transparent. He is so clearly identifying and claiming his place in the family, and in this new life. But – or maybe <em style="line-height: 1.7;">and </em>– at the same time, he is so clearly tapping into something that is familiar to him at his core.</div>
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<dt class="wp-caption-dt" style="-webkit-user-drag: none; font-size: 15px; font-style: inherit; font-weight: bold; line-height: 1.7;"><a data-mce-href="https://emusdebuts.files.wordpress.com/2015/02/image-11.jpg" href="https://emusdebuts.files.wordpress.com/2015/02/image-11.jpg" style="-webkit-user-drag: none; color: #1b8be0; font-style: inherit; font-weight: inherit; line-height: 1.7; text-decoration: none;"><img alt="Image 1" class="wp-image-10470 size-medium" data-mce-src="https://emusdebuts.files.wordpress.com/2015/02/image-11.jpg?w=300" height="224" src="https://emusdebuts.files.wordpress.com/2015/02/image-11.jpg?w=300" style="-webkit-user-drag: none; border: 0px none rgb(238, 238, 238); color: #222222; display: block; font-style: inherit; font-weight: inherit; height: auto; line-height: 1.7; margin: 5px auto 0px !important; max-width: 98%; padding: 0px;" width="300" /></a></dt>
<dd class="wp-caption-dd" style="-webkit-user-drag: none; color: #666666; font-family: Georgia, serif !important; font-size: 12px; font-style: inherit; line-height: 17px; margin: 0px 0px 0.6em !important; padding: 0px 0px 5px 40px; position: relative; text-align: left;">Trampolining in winter in negative digit temps. Welcome to Vermont, kid.</dd></dl>
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Rhythms and routines. This is how you write a book too, isn't it? On a meta-level: make a routine for your writing. On a micro-level: find and follow the rhythms of your characters' voices and of the story. But it's deeper than that. And I don't know if I can describe what I am feeling adequately here. (Maybe someone can give me insight after reading this?) There is an essential quality to my son's life right now…as in, he is practically all essence. There is an authenticity that buzzes through and around him that's palpable. Maybe this is because he is, in a way, being re-born right now. And that newborn time is all about essence and core and <em style="line-height: 1.7;">what-you-see-is-what-you-got</em>, right? Most kids keep this for a while, some for a long while, so I am, by no means, suggesting that my son is unique in this…but I <em style="line-height: 1.7;">do</em> think that, among the myriad of other reasons I am so lucky to be mothering this kid, I am privileged to be a part of this kind of essentialness in such an intimate way.</div>
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<dt class="wp-caption-dt" style="-webkit-user-drag: none; font-size: 15px; font-style: inherit; font-weight: bold; line-height: 1.7;"><a data-mce-href="https://emusdebuts.files.wordpress.com/2015/02/image-7.jpg" href="https://emusdebuts.files.wordpress.com/2015/02/image-7.jpg" style="-webkit-user-drag: none; color: #1b8be0; font-style: inherit; font-weight: inherit; line-height: 1.7; text-decoration: none;"><img alt="Image 7" class=" wp-image-10476" data-mce-src="https://emusdebuts.files.wordpress.com/2015/02/image-7.jpg?w=225" height="182" src="https://emusdebuts.files.wordpress.com/2015/02/image-7.jpg?w=225" style="-webkit-user-drag: none; border: 0px none rgb(238, 238, 238); color: #222222; display: block; font-style: inherit; font-weight: inherit; height: auto; line-height: 1.7; margin: 5px auto 0px !important; max-width: 98%; padding: 0px;" width="138" /></a></dt>
<dd class="wp-caption-dd" style="-webkit-user-drag: none; color: #666666; font-family: Georgia, serif !important; font-size: 12px; font-style: inherit; line-height: 17px; margin: 0px 0px 0.6em !important; padding: 0px 0px 5px 40px; position: relative; text-align: left;">Yup, he's drinking it all in...</dd></dl>
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This – this essentialness – is what we strive for in our writing, isn't it? The transparency and truthfulness of the human spirit that breaks open the hearts (and minds) of our readers? That inspires them – in even the smallest ways – to live fully inside of themselves?</div>
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I don't know. I think so anyway. What I do know is that my son humbles me every single day.</div>
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With gratitude,</div>
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Tam</div>
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Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com2tag:blogger.com,1999:blog-7725892775056737468.post-42620188320524923012015-02-12T00:01:00.000-05:002015-02-12T00:01:00.494-05:00The Landscape of The Unthinkable Mind<div style="text-align: left;">
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 16pt;">I’ve been taking a cool online poetry class from
Mark Olmsted, who studied with Allen Ginsberg (I mean, how cool is that?!?) Last
weeks’ lecture started off with a Ginsberg quote:</span></div>
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<span style="font-size: 16pt;"><span style="font-family: Times, Times New Roman, serif;">"Notice what you notice."</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1R4-b2QbFEBgJsNFlodngpyJQ1Oyry2Yq1NAWmNiS0cpeEL6DxKdbFUR5yMEToiYP_RDh0V61bu_yazvyFoiJoyf6bElXzuh06gvD3vJiaG_NqgVxzff7ZS7tWMLIAZPfm1W4FeL7NGGf/s1600/IMG_0092.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1R4-b2QbFEBgJsNFlodngpyJQ1Oyry2Yq1NAWmNiS0cpeEL6DxKdbFUR5yMEToiYP_RDh0V61bu_yazvyFoiJoyf6bElXzuh06gvD3vJiaG_NqgVxzff7ZS7tWMLIAZPfm1W4FeL7NGGf/s1600/IMG_0092.jpg" height="640" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">From Lynda Barry's Syllabus</td></tr>
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<span style="font-size: 16pt;"><span style="font-family: Times, Times New Roman, serif;">Now, thinking about this, it can be read in two
ways—like, do what you do, an instruction to just get on with it, to stop
trying too hard. But it’s also advice to pay attention to what catches your
attention. (But first, you have to learn how to pay attention. As in, Be
Attentive.)</span></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 16pt;">This is a good thing to do whether you’re trying (but
not TOO hard) to write a poem, or draw the world, build a novel, or just go for
a walk. Actually, this is what the art of flaneur is all about. And here at
Kissing The Earth, we’re all about the art of flaneur…</span></div>
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<span style="font-size: 16pt;"><span style="font-family: Times, Times New Roman, serif;">On a slightly different but very connected note, I
continue my ongoing exploration of what lies behind the need, the desire to
make things. I’ve just finished working* my way through Lynda Barry’s Syllabus,
which could be thought of as a manual for learning to be present, for noticing
what you notice. (*I say working, but it felt more like playing—it was hugely fun
and enlightening—enlightening as in a new sense of lightness, a feeling of buoyancy
with my approach to drawing and writing.) </span><o:p></o:p></span></div>
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<span style="font-size: 16pt;"><span style="font-family: Times, Times New Roman, serif;">The slim volume is full of ideas, questions,
assignments, exercises and quotes by famous people who had something to say
about the arts.<o:p></o:p></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO5oY-cimva-gjHyPk0KCU0mdEzJwj7fFFrQZ5ey7jtRWO3sn_PLhPhy7jw1lQLoeqY6GjqtlNymD-OU-OGxwHnF1QBgfyHQLLaXrVXpiNVnVaLP-NCxSYjFMYNvqa7XQGzxM8su7Lr_0g/s1600/6a00d83466f1c669e201b7c720bd77970b.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO5oY-cimva-gjHyPk0KCU0mdEzJwj7fFFrQZ5ey7jtRWO3sn_PLhPhy7jw1lQLoeqY6GjqtlNymD-OU-OGxwHnF1QBgfyHQLLaXrVXpiNVnVaLP-NCxSYjFMYNvqa7XQGzxM8su7Lr_0g/s1600/6a00d83466f1c669e201b7c720bd77970b.jpg" height="640" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">From Lynda Barry's Syllabus</td></tr>
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<span style="font-size: 16pt;"><span style="font-family: Times, Times New Roman, serif;">One of the quotes I especially liked is from
someone named Milner, who said: “Instead of trying to force myself into doing
what I imagined I ought to be doing, I began to inquire into what I <u>was</u>
doing.”<o:p></o:p></span></span></div>
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<span style="font-size: 16pt;"><span style="font-family: Times, Times New Roman, serif;">Kind of like noticing what you notice.<o:p></o:p></span></span></div>
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<span style="font-size: 16pt;"><span style="font-family: Times, Times New Roman, serif;">Another often quoted person is psychiatrist, writer
and literary scholar Iain McGlichrist. One of his ponderings is: “The arts, I
believe, have a pivotal role in putting us in touch with the transcendent, with
whatever it is that is beyond us. They are core to a civilization, measures of
our health, and should be treated as such.” And “Art brings into being a truth
about the world that was not there before.”<o:p></o:p></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc7OXELKR8_K-Ocm6kEqus8Rd97yQo4mky42TCXF5TUAoqmJqkNRsLleifDrI4JNhw8ycLnVT73K8okHoVChblksZ-8xVTFRQSw2a_6IUR2MmjLDm3oR1NPdKJ7OF-C2_GFxlQCOCZC-54/s1600/IMG_0089.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc7OXELKR8_K-Ocm6kEqus8Rd97yQo4mky42TCXF5TUAoqmJqkNRsLleifDrI4JNhw8ycLnVT73K8okHoVChblksZ-8xVTFRQSw2a_6IUR2MmjLDm3oR1NPdKJ7OF-C2_GFxlQCOCZC-54/s1600/IMG_0089.jpg" height="480" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">From Lynda Barry's Syllabus</td></tr>
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<span style="font-size: 16pt;"><span style="font-family: Times, Times New Roman, serif;">Barry built the book from her three years of
keeping notes, drawings and sullabi, teaching art at the University of
Wisconsin-Madison and specifically for a class she called The Unthinkable Mind,
which had keeping a journal at its foundation. She tells her students to think
of a journal as a place not a thing.<o:p></o:p></span></span></div>
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<span style="font-size: 16pt;"><span style="font-family: Times, Times New Roman, serif;">A place to doodle, a place to experiment, a place
to relax and record and notice what you notice.<o:p></o:p></span></span></div>
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<span style="font-size: 16pt;"><span style="font-family: Times, Times New Roman, serif;">To tell the truth, I've always hated journaling, but this is </span></span><span style="font-family: Times, Times New Roman, serif;"><span style="font-size: 21px;">different. I've actually been having a great time and may just stick with it for a while!</span></span></div>
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<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: 21px;">Do you keep a journal? If so, I'd love to hear about your process. Is it legible? Beautiful? Do you go back and read what you've written? Do tell...</span></span></div>
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<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: 21px;">Take Good Care,</span></span></div>
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<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: 21px;">Sharry</span></span></div>
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Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com0tag:blogger.com,1999:blog-7725892775056737468.post-56626989404715922722015-02-05T02:00:00.000-05:002015-02-05T02:00:06.318-05:00Repost of the Integrated Mind and Body<br />
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Hi good, wonderful people. I will get back to the business of writing blog posts. My life has been full to spilling over these days though and so I am reposting, yet again, one of my old favorites. The true of the matter is that it is VERY relevant for me today too. Maybe it is for you too.<br />
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I've spent a lot of time this past week thinking about integration. Integration of the mind and the body. Integration of one emotion or truth with a seemingly contradictory other emotion or truth (emphasis on <i style="mso-bidi-font-style: normal;">seemingly.</i>) Integration of outside-offered knowledge and inside-felt intuition.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisluI10ja_wM5n1rX4iXoFMB9s_NMrsCBAquGdW55-xjbRomVnvXT_l3g4RSgn6p4WOJFrn3_LgI9QoBbpf9NjTVcOzgIM9qAIeTyjLwsZ7SuHhQL8r3MfMKMawnV57STBgNmiXnDIticY/s1600/1-soma-earth-tree-woman-logo.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisluI10ja_wM5n1rX4iXoFMB9s_NMrsCBAquGdW55-xjbRomVnvXT_l3g4RSgn6p4WOJFrn3_LgI9QoBbpf9NjTVcOzgIM9qAIeTyjLwsZ7SuHhQL8r3MfMKMawnV57STBgNmiXnDIticY/s1600/1-soma-earth-tree-woman-logo.jpg" height="320" width="204" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 13px; text-align: center;">from <a href="http://buildingsoul.ca/about-2/">Building Soul</a></td></tr>
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We live in a culture where subtly is often hard to find. Loud is recognized. Absolute thinking is applauded. And an inflexible stand is all too familiar.<span style="mso-spacerun: yes;"> </span>Politics make this clear, for sure, but I see it on a more intimate level too. Arguments between two people that fully operate on the premise that one belief cannot exist in the presence of another. Small and large beliefs and everything in between. It seems as if we are under the false impression that in order to feel secure and on solid ground, we need to hold onto one piece of information – a truth, a belief, an emotion, a reason, a decision – like it is a tree trunk, unmoving and firmly rooted.<o:p></o:p></div>
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I'm speaking from personal experience here. Go figure. And it has been causing a lot of heartache. Specifically, I have been experiencing how critical it is to integrate the mind and the body. The mind is capable of being in many places. It can be in the past, it can be in the future.<span style="mso-spacerun: yes;"> </span>It can be in a memory, it can be in an expectation. It can be on the beach, in an airplane, in a classroom, a hotel, a forest. All of this time and place travel is fine.<span style="mso-spacerun: yes;"> </span>It is extraordinary, in fact. But the mind can get stuck in one of those places, or one of those times, and if there is no path back – well, that is not so fine. That is the stuff of heartache…of losing a sense of direction, of purpose, and of self. This kind of existence is one of almost exclusive mind-living. It is easy to cultivate. Again, our culture kind of encourages it. Our intellect is revered.<o:p></o:p></div>
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But it is dangerous.<o:p></o:p></div>
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Integrating the body with the mind is a critical process in living a full and connected life.<span style="mso-spacerun: yes;"> </span>Because the body is present. It is always present.<span style="mso-spacerun: yes;"> </span>Wherever your mind may take you, your body is still right here, right now. You are thinking about 7<sup>th</sup> grade? Your feet are still standing on the floor of your house today. You are imagining what it would be like to leave your job? Your hands are still wrapped around your tea mug now.<o:p></o:p></div>
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In an earlier <a href="http://www.smithwright.blogspot.com/2013/11/gratitude-and-happiness-project.html">post</a>, I talked about this mind-body practice I have – I'll use the word, yup! – integrated into my life. I love this practice. It keeps me grounded in right here and right now. And, at the risk of sounding old and familiar, all we truly have is right here and right now. Or, hold up…wait a minute…let me revise: all we truly have <i style="mso-bidi-font-style: normal;">to come back to </i>is right here and right now.<o:p></o:p></div>
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That is the integration process.<o:p></o:p></div>
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And it goes back to that desire we all have to feel secure and on solid ground. But holding on to that piece of information – that absolute truth, etc – will not achieve that groundedness. Holding onto our bodies will though. Sinking into our bodies will. I like to imagine the landscape of the body and mind like a large tract of land and an island with a bridge between them. Build that bridge if you don't have one. Clear it of debris if it has fallen into disrepair. Imagine it into being. For me, it is a lovely wooden bridge with railings and the open sky above. I can trek across it, into my mind, and hang out there, dreaming of fulfilling all of my longings, and then I can stretch my legs and arms, turn around and trek back into my body and settle there for the day, working hard on whatever is my work in this moment, playing hard at whatever is my play for this moment too.<o:p></o:p></div>
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In this way, my longings are realized, bit by bit, moment by moment, a hundred journeys between my mind and my body, a well-worn path, an ease, an integration.<o:p></o:p></div>
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<span style="mso-bidi-font-family: "Times New Roman";">My dear friend and yoga teacher, Kara, read us this poem in class today.<span style="mso-spacerun: yes;"> </span>I leave it for you.<o:p></o:p></span></div>
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<span style="color: #06020b; mso-bidi-font-family: "Times New Roman";">Joy For No Reason</span></div>
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<span style="color: #06020b; text-align: center;">I am filled with quiet</span></div>
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<span style="color: #06020b; text-align: center;">joy for no reason save</span></div>
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<span style="color: #06020b; mso-bidi-font-family: "Times New Roman";">the fact that I'm alive.<o:p></o:p></span></div>
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<span style="color: #06020b; mso-bidi-font-family: "Times New Roman";">The message I receive<o:p></o:p></span></div>
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<span style="color: #06020b; mso-bidi-font-family: "Times New Roman";">is clear - there's no time<o:p></o:p></span></div>
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<span style="color: #06020b; mso-bidi-font-family: "Times New Roman";">to lose from loving, no<o:p></o:p></span></div>
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<span style="color: #06020b; mso-bidi-font-family: "Times New Roman";">place but here to offer<o:p></o:p></span></div>
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<span style="color: #06020b; mso-bidi-font-family: "Times New Roman";">kindness, no day but this<o:p></o:p></span></div>
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<span style="color: #06020b; mso-bidi-font-family: "Times New Roman";">to be my true, unfettered<o:p></o:p></span></div>
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<span style="color: #06020b; mso-bidi-font-family: "Times New Roman";">self and pass the flame<o:p></o:p></span></div>
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<span style="color: #06020b; mso-bidi-font-family: "Times New Roman";">from heart to heart. This<o:p></o:p></span></div>
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<span style="color: #06020b; mso-bidi-font-family: "Times New Roman";">is the only moment that<o:p></o:p></span></div>
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<span style="color: #06020b; mso-bidi-font-family: "Times New Roman";">exists - so simple, so<o:p></o:p></span></div>
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<span style="color: #06020b; mso-bidi-font-family: "Times New Roman";">exquisite, and so real.<o:p></o:p></span></div>
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<span style="color: #06020b; mso-bidi-font-family: "Times New Roman";"><span style="mso-tab-count: 2;"> </span>—<a href="http://www.kripalu.org/presenter/V0000096/danna_faulds">Danna Faulds</a></span><o:p></o:p></div>
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With gratitude,</div>
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Tam</div>
Smithwrighthttp://www.blogger.com/profile/18301870789998375514noreply@blogger.com0